All Reviews articles – Page 139
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Reviews
‘I’m Your Man’: Berlin Review
A rich, provocative drama from ’Unorthodox’’s Maria Schrader plays in Competition
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Reviews
‘Fabian – Going to the Dogs’: Berlin Review
Tom Schilling stars in Domink Graf’s elaborate 1931 Berlin-set drama
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Reviews
‘Raya And The Last Dragon’: Review
Disney’s adventure breathes fire into the animation world
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Reviews
‘Language Lessons’: Berlin Review
Mark Duplass and Natalie Morales dial up a lockdown feature and friendship
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Reviews
‘Moon 66 Questions’: Berlin Review
A troubled father and daughter reuinte in even more strained circumstances
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Reviews
‘Brother’s Keeper’: Berlin Review
Standout feature is set in a boy’s boarding school in Turkey
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Reviews
‘Dirty Feathers’: Berlin Review
El Paso, Texas, where a cold hard winter for the dispossed is captured by Carlos Alfonso Corral
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Reviews
‘Ninjababy’: Berlin Review
Norway’s Yngvild Sve Flikke delivers an amusing and thoughtful story about a surprise pregnancy
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Reviews
‘Poly Styrene: I Am A Cliche’: Glasgow Review
A closer look at the groundbreaking British punk artist
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Reviews
‘Tom And Jerry’: Review
The cat, the mouse, and Chloe Grace Moretz, are far more animated than the film they appear in
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Reviews
‘A Brixton Tale’: Glasgow Review
South London-set story of social divides plays Slamdance and Glasgow
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Reviews
‘The Toll’: Glasgow Review
Michael Smiley plays a tollbooth operator hiding from his past in isolated Western Wales
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Reviews
‘Cherry’: Review
The Russo Brothers go straight in this epic tale of a college drop out, war veteran and druggy bank robber starring Tom Holland.
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Reviews
‘Bulletproof’: Doclisboa Review
Todd Chandler looks inside the school gates of an America irreperably altered by campus shootings
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Reviews
‘Creation Stories’: Glasgow Review
Glasgow opens with this pacey biopic of Creation Records founder Alan McGee
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Reviews
‘The Dry’: Review
Eric Bana leads a small-town investigation to the top of the Australian box office
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Reviews
‘The United States Vs. Billie Holiday’: Review
A stunning performance by Andra Day elevates Lee Daniels’ sad biopic