![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
Small MPU – Page 3123
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News'Toni Erdmann' racks up key sales for The Match Factory
EXCLUSIVE: UK, Italy, Australia, Spain among a host of key sales on Cannes Competition hit.
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FeaturesCannes Q&A: Chloe Sevigny on 'Kitty'
Sevigny makes her directorial debut with Kitty, a short that plays in Critics’ Week at this year’s Cannes.
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NewsDutch producer unveils film education project CinesCool
Pan-European initiative aims to “bring film to the classroom”.
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NewsBelga raises €5m for animation 'The Son Of Bigfoot'
Belga Films Fund (BFF) has raised more than $5.6m (€5m) for Ben Stassen’s new animated feature, The Son Of Bigfoot.
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NewsSony Pictures Classics acquires animation 'The Red Turtle'
Animation co-produced by Wild Bunch and Studio Ghibli premiered at Cannes in Un Certain Regard.
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Reviews'The Happiest Day in the Life of Olli Mäki': Cannes Review
Dir/scr. Juho Kuosmanen. Finland, 2016, 92 mins
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NewsCannes: Curzon Artificial Eye acquires Lars Von Trier's 'The House That Jack Built'
EXCLUSIVE: UK distributor also acquires upcoming sports biopic Borg vs McEnroe, Directors’ Fortnight title After Love and Scottish indie music doc Lost In France.
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News'SPL2: A Time For Consequences' sold to Japan
Hong Kong-based Young Live Entertainment (YLE) has sold action title SPL2: A Time For Consequences to Japan’s Twin Co.
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FeaturesCannes Q&A: Jeff Nichols talks 'Loving'
The writer/director spoke to Screen in Cannes about his Competition contender Loving.
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FeaturesCannes Q&A: Stéphanie Di Giusto, 'The Dancer'
The director talks to Screen about her Un Certain Regard selection, which stars Lily-Rose Depp and French popstar Soko.
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NewsDenmark’s Frightgeist launches with horror 'Finale'
EXCLUSIVE: Horror marks first feature from new production company.
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NewsCannes: Sean Penn's 'The Last Face' sets Jury Grid low
Nicolas Winding Refn’s The Neon Demon also fails to impress Screen’s roster of critics.