TV features – Page 10

  • Creative Week
    Features

    Creative Week: Channel The Change

    2015-06-25T09:10:00Z

    BBC strategy, TV consolidation and the boom in digital talent were among the hot topics at this year’s Creative Week conference in London. Andreas Wiseman reports.

  • Dinah Crane
    Features

    Creative Skillset: Invest in the future

    2015-06-25T09:10:00Z

    The urgent need to invest in and develop talent sits at the forefront of Creative Skillset’s ambitions for the future growth of the film and TV sectors.

  • Gomorrah
    Features

    The Weinstein Company: stirring drama

    2014-04-02T16:01:00Z

    As The Weinstein Company ramps up its scripted TV productions and acquisitions, Andreas Wiseman talks to the executives behind the push.

  • Transmedia
    Features

    MIPTV: Transmedia’s transitions

    2014-04-02T15:19:00Z

    As the digital-focused MIPTV champions a new age of storytelling this month, Melanie Goodfellow explores how TV drama and film producers are tentatively branching out into other platforms

  • Enders game_1
    Features

    AFM 2013: Market forces

    2013-11-06T14:48:00Z

    This year’s American Film Market (Nov 6-13) will take place against a backdrop of US economic instability, but it’s the small screen that is likely to be the hot topic of conversation, as Jeremy Kay reports

  • Vikings
    Features

    The VoD invasion

    2013-10-09T16:17:00Z

    John Hazelton examines the rising international demand for entertainment libraries thanks to new distribution platforms across VoD and SVoD.

  • titanic_TV
    Features

    UK tax relief: Take your partners

    2013-04-04T09:00:00Z

    The UK is introducing tax credits for television production, high-end animation and video games this month. Michael Rosser explores how the relief could further strengthen a TV powerhouse

  • titanic_TV
    Features

    Case Study: Titanic

    2012-03-27T12:33:00Z

    The UK-Canada-Hungary co-production for TV written by Julian Fellowes will be seen in more than 85 countries.

  • Bridesmaids_1.jpg
    Features

    Fine tuning

    2012-03-27T12:30:00Z

    Movie acquisitions for US TV channels are steady but the picture will soon get more complex as studio output deals come up for renewal and SVoD players step up.

  • Parades_end
    Features

    Case Study: Parade's End

    2012-03-27T11:32:00Z Contributing Editor Sarah Cooper

    Tom Stoppard reteams with Shakespeare In Love producer David Parfitt for the BBC-HBO mini-series Parade’s End, which shot in the UK and Belgium.

  • Ice Age  Dawn Of The Dinosaurs
    Features

    European pictures

    2012-03-27T11:31:00Z

    How are Europe’s broadcasters adapting their film acquisition policies in the face of changing consumer patterns and economic crisis?

  • zen233020.jpg
    Features

    Think big, start small

    2011-04-05T14:24:00Z

    The barrier between film and TV is coming down as UK producers exploit different platforms to match finance with creative ambition.

  • Downton Abbey
    Features

    Case study of a dramatic success

    2011-04-05T14:24:00Z

    How did Carnival Films finance its 2010 hit, Downton Abbey? Ben Dowell reports

  • The_Borgias.jpg
    Features

    Acting up

    2011-04-05T14:23:00Z

    What kind of deals are talent agents securing for UK actors working on US TV? Matt Mueller reports

  • Features

    Cash of the titans

    2011-04-05T14:23:00Z

    Will its ground-breaking deal with HBO encourage the UK’s Sky — and the territory’s other broadcasters — to increase their own investment in high-end TV drama? Matt Mueller reports

  • _Mildred_Pierce.jpg
    Features

    The box of delights

    2011-04-05T14:22:00Z

    No longer simply a refuge for a career in decline, serious TV drama is alive and thriving in the US as film talents including Kate Winslet and Martin Scorsese clamour to work on the small screen. But can this trend continue?