Venice Features – Page 6
-
FeaturesKaouther Ben Hania on the real-life inspiration for ‘The Man Who Sold His Skin’
Drama about refugee who becomes a human work of art premieres in Venice’s Horizons section.
-
Features‘Listen’ director Ana Rocha de Sousa on making a film about forced adoptions in London
”I am interested in subjects relevant to people’s lives,” says the Portuguese filmmaker.
-
Features‘The World To Come’ director Mona Fastvold on shooting four seasons in 24 days
”We rehearsed and planned in advance; it was so, so detailed,” explained Fastvold.
-
Features‘Hopper/Welles’ producer Filip Jan Rymsza talks reviving another Orson Welles film
Rymsza returns to Venice, two years after debuting ‘lost’ Welles film ‘The Other Side Of The Wind’.
-
FeaturesIndian producer Vivek Gomber on his Venice return with ‘The Disciple’
The Mumbai-based actor and producer has just spent six months in lockdown.
-
FeaturesFrom Stockholm climate-change protest to Venice premiere: the making of ‘I Am Greta’
Swedish documentary filmmaker Nathan Grossman followed Greta Thunberg around the world. By train and boat.
-
FeaturesFour UK producers with films at the autumn festivals reflect on a crazy year
’The Duke’, ‘The Father’, ’Wildfire’ and ‘Supernova’ will screen in Venice, Toronto, San Sebastian and beyond.
-
FeaturesFilm industry hits Venice with trepidation, hope and optimism
Professionals look forward to seeing contacts face to face after months of virtual meetings.
-
FeaturesVenice VR chief talks going truly virtual and building new worlds
New projects from ‘The Lion King’ director Jon Favreau to be showcased as Venice VR goes global for the first time.
-
FeaturesJohn Battsek talks Thai cave rescue & Alex Ferguson docs, Venice title 'Final Account'
‘Free Solo’ directors to take over duties from Kevin Macdonald on Thai cave rescue documentary.
-
FeaturesHow are international buyers navigating the autumn festivals?
Screen talks to a selection of indie distributors about their plans for the next few months.
-
FeaturesThe Centrepiece interview: The Match Factory’s Michael Weber on audience confidence and working with auteurs
Weber co-founded German arthouse firm The Match Factory in 2006.
-
FeaturesVenice 2020 preview: Critics’ Week and Giornate degli Autori highlights
This year’s Venice Film Festival runs 2-12 September.
-
FeaturesVenice 2020 preview: Screen’s guide to Horizons titles
The first major film festival to present a physical event since Covid-19 struck will unspool on the Venice Lido from September 2-12.
-
FeaturesVenice 2020 preview: Screen’s guide to the Out Of Competition titles
The first major film festival to present a physical event since Covid-19 struck will unspool on the Venice Lido from September 2-12.
-
FeaturesVenice 2020 preview: Screen’s guide to the Competition titles
The first major film festival to present a physical event since Covid-19 struck will unspool on the Venice Lido from September 2-12.
-
FeaturesComment: A “Damascene moment” for Venice
This year’s line-up looks very global, very arthouse, and very welcome.
-
Features“Jeddah has come alive,” says rising Saudi talent Shahad Ameen
Her debut film ‘Scales’ is screening at the Cairo International Film Festival.
-
FeaturesVenice and Toronto 2019: which films stood out?
From potential studio hits to arthouse sleepers, these are some of the films that caught the eye at Venice and Toronto this year.
-
FeaturesHaifaa Al Mansour on returning home to Saudi Arabia to shoot TIFF title ‘A Perfect Candidate’
A Perfect Candidate is currently screening in TIFF’s Contemporary World Cinema.








![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)







