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All articles by Wendy Ide, Senior international critic – Page 39
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Reviews‘Sole’: Venice Review
A Polish girl prepares to sell her unwanted baby to a childless Italian couple
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Reviews‘Cat In The Wall’: Sarajevo Review
Terrific comedy-drama from a Bulgarian directing duo is set on an East London council estate
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Reviews‘Open Door’: Sarajevo Review
Sisters united in a car journey across Albania in a rare feature to emerge from that country
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Reviews‘Immortal’: Sarajevo Review
Striking documentary from Estonia looks at the production line of model citizens in Russia’s Arctic Circle
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Reviews‘Fire Will Come’: Review
Oliver Laxe’s prize-winning feature continues is strikingly beautiful and meditative
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Reviews‘Adoration’: Sarajevo Review
The latest from Fabrice du Welz bleeds horror tropes into a yearning romance
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Reviews‘The Son’: Sarajevo Review
Sarajevo opens with Ines Tanović’s story of a son - and a city - in transition
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Reviews‘Zana’: Toronto Review
A Kosovar woman struggles with both her failure to conceive and her traumatic wartime past
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Reviews‘Days Of The Bagnold Summer’: Locarno Review
Inbetweeners star Simon Bird delivers an unexpectedly gentle portrait of a mother and her son with his directorial debut
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Reviews'Horrible Histories: The Movie – Rotten Romans': Review
A beloved, if juvenile, TV series stumbles in its transition to the big screen
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Reviews'Patrick': Karlovy Vary Review
Intriguing debut from Belgian director Tim Mielands is set in a nudist camp
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Reviews'What Might Have Been': Munich Review
A Budapest break brings the past back to life for two former lovers
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Reviews‘End Of Sentence’: Edinburgh Review
John Hawkes and Logan Lerman star in this Irish-set father-and-son road trip
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Reviews‘Samurai Marathon’: Edinburgh Review
The team behind ‘13 Assassins’ unites with Bernard Rose for an epic sword-slasher
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Reviews'Balance, Not Symmetry': Edinburgh Review
An unsuccessful collaboration between director Jamie Adams and the band Biffy Clyro
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Reviews‘Strange But True’: Edinburgh Review
A fine cast including Amy Ryan and Margaret Qualley attacks Rowan Athale’s domestic thriller
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Reviews'Alice': Edinburgh Review
Directed by an Australian first-timer, this Paris-set SXSW winner impresses on its international debut