All articles by Wendy Ide, Senior international critic – Page 52
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Reviews'Bingo: The King Of The Mornings': Tallinn Review
Brazil’s official Oscar submission gets under the skin of the country’s most famous TV clown
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Reviews'The Manslayer/The Virgin/The Shadow': Tallinn Review
Triptych about Estonian womanhood is clearly accomplished filmmaking which dazzles for the most part
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Reviews'The Journey': Tallinn Review
The lives of two strangers violently collide in an Baghdad train station
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Reviews'The Lonely Battle Of Thomas Reid': IDFA Review
An eccentric Irish farmer takes on an industrial giant in Feargal Ward’s idiosyncratic documentary
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Reviews'Amal': IDFA Review
A teenage girl comes of age against the backdrop of revolutionary Egypt in this stirring IDFA opener
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Reviews'Paddington 2': Review
The marmalade-loving bear returns for another adventure in this exemplary sequel
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Reviews'Upside Down': Busan Review
Two strangers connect over Skype against the backdrop of protest in Portugal
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Reviews'Head. Two Ears': Busan Review
A Russian farmer finds his new job as a security guard isn’t all it appeared to be
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Reviews'Loving Vincent': London Review
The world’s first oil-painted animation explores the mysterious death of Vincent Van Gogh
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Reviews'Smaller And Smaller Circles': Busan Review
A priest investigates the brutal murder of a young boy
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Reviews'The Forgiven': London Review
Roland Joffe’s drama stars Forest Whitaker as Archbishop Desmond Tutu opposite Eric Bana as a convicted murderer
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Reviews'The Last Suit': Busan Review
An octogenarian heads off on adventure in this Argentinian road movie
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Reviews'Beyond The Clouds': London Review
A brother and a sister attempt to navigate life in Mumbai’s impoverished underclass
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Reviews'The White Girl': London Review
Jenny Tseun and Christopher Doyle unite for a story set in Hong Kong’s last fishing village
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Reviews'Love and Shukla': Busan Review
A strained arranged marriage is the focus of this family drama from Siddartha Jatla
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Reviews'Funny Cow': London Review
Maxine Peake is defiantly good as a Northern comic working the sexist circuit of the 1970s and 80s
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Reviews'Kingdom Of Us': London Review
Lucy Cohen’s doc, headed for Netflix, is an extraordinary and intimate look at one family coping in the face of loss and other challenges
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Reviews'Good Manners': London Review
Brazilian drama is a a compellingly unconventional addition to the lycan movie genre
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Reviews'Killing Jesus': Zurich Review
Part-based on a real-life story, Laura Mora’s directorial debut is also a snapshot of Medellín today
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