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UK-Ireland box office preview: ‘Mercy’, ‘Return To Silent Hill’ and ‘H Is For Hawk’ lead new releases
‘28 Years Later: The Bone Temple’ opens with £2.4m at UK-Ireland box office; ‘The Housemaid’ stays top
‘28 Years Later: The Bone Temple’ starts with $29m at global box office; ‘Avatar 3’ passes $1.3bn
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LATEST OTHER AWARDS NEWS
‘One Battle After Another’, ‘The Secret Agent’ earn National Society Of Film Critics wins
Ethan Hawke, Kathleen Chalfant, Teyana Taylor, Benicio del Toro, claim acting honours .
Idris Elba, Cynthia Erivo, Tina McFarling recognised in UK’s New Year Honours list
Awards were announced on December 29.
HEADLINES
Chloé Zhao, Nia DaCosta, Geeta Gandbhir to receive Sundance awards
‘The Alabama Solution’, ‘Cover-Up’ among PGA doc nominees
‘One Battle After Another’ maintains awards momentum with LAFCA best picture win
‘Awaiting Birds,’ ‘Low Light,’ ‘Matias’ and ‘Missing’ win big at Ventana Sur
Chase Infiniti, Eva Victor among Bafta Breakthrough US cohort
Cannes UCR best director winner ‘Once Upon A Time In Gaza’ lands US deal
George Clooney to receive Film at Lincoln Center’s Chaplin Award
Eddie Murphy to receive 51st AFI Lifetime Achievement Award
Helen Mirren to receive Golden Globes’ 2026 Cecil B. DeMille Award
Galway Film Fleadh award winner ‘Horseshoe’ lands North American home
Venice award winner ‘Silent Friend’ finds North American home
Cannes psychodrama ‘The Plague’, Venice horror ’The Holy Boy’ among 2025 Fantastic Fest winners
Critics Choice Association to honour Ken Burns
‘Mission: Impossible 8’, ‘A Complete Unknown’ win at LMGI awards
Berlinale director Tricia Tuttle recognised in King’s Birthday Honours
COMMENT
Comment: Bafta exposure is still vital for UK arthouse films squeezed out of the longlists
The Bafta longlists were dominated by commercial, star-driven films.
AWARDS FEATURES
“I worked so differently on this”: How Jessie Buckley tried new techniques to find the emotion for ‘Hamnet’
Buckley calls her director Chloe Zhao “an alchemist, who wants the energy to cook to the most potent vibration.”
From Terrence Malick to celebrating “a little life”: the inspirations behind Clint Bentley and Greg Kwedar’s ‘Train Dreams’
The filmmakers’ adaptation of Denis Johnson’s 2011 novella explores the life of a labourer and logger in the Pacific Northwest over several decades
Mamoru Hosoda on using an innovative new animation style for his Hamlet-inspired ‘Scarlet’
‘Scarlet’ is the first film in four years from the anime director, who was Oscar-nominated in 2019 for ‘Mirai’
Beyond Studio Ghibli: the impact of anime on this year’s awards race
Anime is no longer just big in Japan, it’s now a truly global sensation
Awards campaigners react to 2026 Bafta longlists: “It’s great to see Bafta recognising British indie films in key categories”
Second-round Bafta voting closes on January 20, and Bafta nominations are announced on January 27
AWARDS COUNTDOWN: INTERVIEWS
How pandemic-era BTS concerts and Korean folklore inspired ‘KPop Demon Hunters’
Writer/directors Maggie Kang and Chris Appelhans discuss the evolution of the Golden Globe-winning musical animation phenomenon – the most-watched film of all time on Netflix
Kaouther Ben Hania on mixing drama and documentary in ‘The Voice Of Hind Rajab’: “It’s a privilege to show this story”
For the Tunisian filmmaker, it was important to incorporate a documentary element into the scripted feature. “It’s not me who wrote the thriller, it’s the reality of war,” she tells Screen
Josh Safdie on working with a bigger budget on ‘Marty Supreme’ and why Timothée Chalamet was perfect for “outcast” lead role
“It was a big movie. It’s period. It’s international. The costumes, you can’t just go to thrift stores and buy them. I wanted lots of extras. I needed to recreate reality.”
‘One Battle After Another’ duo Paul Thomas Anderson and Leonardo DiCaprio on improvising and film industry optimism
Making ‘Arco’: the modestly budgeted French animation that is an awards season dark horse
The debut directors of ‘My Father’s Shadow’, ‘Pillion’ and ‘Lollipop’ on imposter syndrome, inspirations and what comes next
From ‘Adolescence’ to ‘Urchin’: UK casting director Shaheen Baig on her phenomenal year and opening up her “closed-shop” profession
“I’ve adored his work for so long”: father and son Daniel and Ronan Day-Lewis look back on making ‘Anemone’
Making ‘Die My Love’: delays, “instant” chemistry between the stars and help from Martin Scorsese’s book club
How ‘I Swear’ star Robert Aramayo prepared to play Tourette’s campaigner John Davidson: “It’s impossible to copy John’s tics”
‘Weapons’ star Amy Madigan on why she didn’t see Aunt Gladys as the villain: “This woman is fantastic”
Oliver Laxe on his techno-fuelled Oscar contender ‘Sirât’: “It’s triggered a debate, and I love that”
Kaouther Ben Hania talks filming ‘Mimesis’ during ‘The Voice Of Hind Rajab’ festival, awards run
Aiming to be “100% real”, Glenn Freemantle’s ‘Warfare’ soundscape amplifies a real Iraq War firefight
‘Frankenstein’ production designer on mixing the “fantastic and the real” for the film’s epic sets
Jessica Lee Gagné, double Primetime Emmy nominee for Apple TV+’s ‘Severance’, on harnessing visuals to highlight emotion
Production designer Kalina Ivanov reveals how she created the ‘king gangster’ aesthetic of HBO’s ‘The Penguin’