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All Cannes articles – Page 223
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FeaturesCannes: Screen at 40 - Boyd Farrow, Editor (1994-98)
Boyd joined Screen in 1990, became editor in 1994 and left the magazine in 1999. He switched his focus away from film journalism to write about other industries, taking over the editorship of CNBC Business in 2009. Three years ago, he moved to Berlin, where he now lives.
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FeaturesCannes: Screen at 40 - Nick Roddick, Editor (1987-88)
After Screen, Nick was founding editor of Moving Pictures. He has worked for the European Film Market and the European Film Awards, freelanced as a journalist and runs consultancy firm Split Screen, advising for various film festivals and national film bodies.
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FeaturesCannes: Screen at 40 - Terry Ilott, Editor (1983-87)
Terry left Screen to write My Indecision Is Final: The Rise And Fall Of Goldcrest Films. He returned to journalism, as editor of Screen Finance and managing editor of Variety Europe, before setting up a consultancy business, Bridge Media, in 1993. In 2000, he was part of an investment group ...
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FeaturesCannes: Screen at 40 - Adrian Hodges, co-editor (1982-83)
After Screen, Adrian joined Thorn EMI as an acquisition executive and later moved into development with British Screen. Since 1990, he has been working full time as a screenwriter. His film credits include Metroland, Tom And Viv and My Week With Marilyn, while his TV work includes David Copperfield and ...
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FeaturesCannes: Screen at 40 - Colin Vaines, co-editor (1982-83)
Colin left Screen to run the UK’s National Film Development Fund and went on to senior executive roles at Columbia Pictures, Miramax Films, The Weinstein Company and Graham King’s GK Films. He returned to freelance production in 2010 with Ralph Fiennes’ Coriolanus.
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FeaturesCannes: Screen at 40 - Quentin Falk, Editor (1979-82)
Quentin has authored books on Anthony Hopkins, Alfred Hitchcock, Graham Greene, Lew Grade and the Rank Organisation and been a critic for the Daily Mail, The Daily Telegraph and the Sunday Mirror.
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FeaturesCannes: Screen at 40
To celebrate 40 years of Screen International, several of our illustrious previous editors reflect on their favourite Cannes memories.
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FeaturesCannes 2015: Midnight Screenings
The full line-up of Midnight Screenings world premieres at the 68th Cannes Film Festival with details on each title including sales contacts.
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FeaturesCannes 2015: Directors' Fortnight
The full line-up of Directors’ Fortnight world premieres at the 68th Cannes Film Festival with details on each title including sales contacts.
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Features
Cannes 2015: Special Screenings
The full line-up of world premiere Special Screenings at the 68th Cannes Film Festival with details on each title including sales contacts.
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FeaturesCannes 2015: Out of Competition
The full line-up of world premieres Out of Competition at the 68th Cannes Film Festival with details on each title including sales contacts.
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FeaturesCannes 2015: In Competition
The full line-up of world premieres In Competition at the 68th Cannes Film Festival with details on each title including sales contacts.
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FeaturesCannes 2015: Film profiles
Screen profiles the world premieres at the 68th Cannes Film Festival.
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FeaturesCannes 2015: Un Certain Regard
The full line-up of world premieres playing in Un Certain Regard at the 68th Cannes Film Festival with details on each title including sales contacts.
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FeaturesCannes 2015: Bumper Product Guide
Read Screen International’s Cannes Marche bumper product guide.
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FeaturesCannes: Screen at 40 - Wendy Mitchell, Editor (2012-14)
Wendy first joined Screen in 2005 and, alongside her new position as a film programme manager at the British Council, is still a contributing editor.
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NewsCannes: Well Go takes 'The Assassin' for North America
Hou Hsiao-hsien’s period Chinese drama to world premiere in Competition at the Cannes Film Festival.
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NewsCannes: Isabella Rossellini to discuss sexism
Isabella Rossellini to discuss on and off camera sexism in cinema at Cannes’ Women in Motion event; other female-focused Cannes events include #SeeHerNow twitter campaign.
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NewsCannes 2015: Raising the curtain on this year’s market
Is Netflix set to dominate this year’s headlines?