All Features articles – Page 80
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FeaturesIn-Flight Entertainment: Cinemas In The Sky
As wifi becomes increasingly available on airplanes, how is it changing the way we consume films and TV while travelling and what impact is this having on the airline rights business?
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FeaturesUK Private Financiers: Adventure Capital
Investor confidence in the UK film industry is growing thanks to the country’s embedded tax credit and the efforts of an increasing number of dynamic private financers. Geoffrey Macnab reports
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FeaturesCannes Market 2016: Climate Change
While there is space in the market for the mid-budget, adult-oriented fare no longer pursued by Hollywood, buyers and agents warn against bringing a mediocre project. Jeremy Kay gauges the mood ahead of Cannes
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FeaturesFuture Leaders 2016: Agents
Find out who are the hottest upcoming agents from around the world.
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FeaturesCinemaCon: exhibitors strike back
What happens in a year without Star Wars or Bond? On the eve of CinemaCon (April 11-14), John Hazelton looks at how US exhibitors plan to keep audiences visiting the big screen.
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FeaturesSpain focus: hot projects, big-name draws
Among the most anticipated Spanish productions of the year are a Paleolithic period drama, the new Almodovar and a regal role for Penelope Cruz.
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FeaturesMIPTV: high-end drama, cinema crossover set to dominate
The cinema world’s growing love affair with TV will be more evident than ever at this year’s MIPTV.
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FeaturesMIPTV: drama on the Croisette
Screen’s selection of MIPTV titles to look out for from both broadcasters and streaming players.
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FeaturesTraining Special: A new tomorrow
Browse Screen’s training features on visual effects, e-learning, EMBAs, diversity and the London Film School.
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FeaturesTraining: London Film School
As the London Film School celebrates its 60th anniversary, its director Jane Roscoe talks to Stuart Kemp about what sets the institution apart.
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FeaturesTraining: Executive MBAs
Film executives looking to hone their business smarts have a new EMBA in the UK to consider, created with Oscar-winning UK producer and former Hollywood chief David Puttnam.
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FeaturesTraining: E-Learning
E-learning initiatives are breaking down the economic and geographical barriers to training for European producers.
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FeaturesTraining: Visual Effects
Huge numbers of people are working around the world in the rapidly expanding VFX and computer animation sector. But where is the next generation of specialised talent coming from?
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FeaturesLocations: Panama’s bright future
The Latin American country’s spectacular locations, film-friendly environment and cash rebate are helping to win over an increasing number of international film-makers.
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FeaturesTraining: Diversity - an attainable dream
The UK’s diversity challenge is being tackled by both film schools and high schools. Geoffrey Macnab reports on the efforts being made to ensure every child and teenager in the country considers the creative industries a viable career choice
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FeaturesAFCI Locations: Show on the road
The AFCI Locations show in Los Angeles (April 21-23) is where the world’s film commissions come to catch the eye of Hollywood. John Hazelton gives the lowdown on how to get the most out of the event
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FeaturesVirtual Print Fee: cold comforts
As the UK industry eyes the end of the controversial Virtual Print Fee, Geoffrey Macnab looks at how well it has worked, and asks whether it has adversely affected foreign-language and specialist film distribution
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FeaturesBrexit: Together… for how long?
A devastating loss of influence and financial support or a liberating release from knotty European regulations? Geoffrey Macnab plunges into the Brexit debate to explore the potential impact of a UK withdrawal from the EU on the country’s film industry.
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FeaturesIndia box office: mid-budget and Hollywood booming
Modest budget films are outperforming bigger budget fare in India, while Hollywood films doubled their market share in 2015.
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FeaturesJeff Nichols on the making of 'Midnight Special'
On the back of buzzy premieres in Berlinale and most recently SXSW, Jeff Nichols has earned acclaim for his fourth film, which marks his first collaboration with a major studio and makes its way into US cinemas on Friday through Warner Bros.