![[Clockwise from top left]: 'The Voice Of Hind Rajab', 'A House Of Dynamite', 'Jay Kelly', 'After The Hunt', 'The Smashing Machine'](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/1/7/0/1459170_veniceawards_837515.jpg)
All Features articles – Page 82
-
CommentJörn Threlfall talks BAFTA-nominated short 'Over'
Screen Star of Tomorrow Jörn Threlfall discusses his short film Over, a mystery told in reverse, which was nominated for a Best British Short Film BAFTA.
-
FeaturesPalm Springs Q&A: Raam Reddy, 'Thithi'
The director discusses his India-US drama, which premired at Locarno in August.
-
FeaturesPalm Springs Q&A: Thomas Stuber, 'A Heavy Heart'
The Leipzig-based director tells Jeremy Kay about earning the trust of his star, stage veteran Peter Kurth, who portrays a former East German boxer who receives life-changing news
-
FeaturesAnthony Dod Mantle talks shooting 'In The Heart Of The Sea'
Inspired by Turner and Delacroix, cinematographer Anthony Dod Mantle tells Mark Salisbury how intensity was key for In The Heart Of The Sea.
-
FeaturesThe VFX of 'Ex Machina'
In a year of stunning visual-effects work, Ex Machina’s bewitching robot stands out as a peerless use of VFX. Mark Salisbury speaks to the team that created her.
-
FeaturesRendez-vous in Paris
International buyers are heading to Paris for a first glimpse at the new French films of the year at Unifrance’s annual Rendez-vous with French Cinema.
-
FeaturesOdeon & UCI sale: a second chance
Will an upswing in the fortunes of the UK and European cinema industry in 2015 mean the long-awaited sale of Odeon & UCI may finally happen?
-
FeaturesThe 54 films to tempt festival directors in 2016
From debut feature directors to seasoned veterans, Screen looks ahead to the films most likely to tempt international festival directors in 2016
-
FeaturesPietro Valsecchi eyes box office gold in Checco Zalone comedy 'Quo Vado?'
Screen Subscribers: Screen sat down with the producer behind Italian hit factory Taodue.
-
FeaturesWorld of Locations: Montana
Though many of the film and TV productions that shoot in Montana do so because they tell local stories — the highest-profile recent visitor, Alexander Payne’s Oscar-nominated Nebraska, was, in spite of its title, set partly and shot in Montana — others come for the sweeping Great Plains vistas that ...
-
FeaturesWorld of Locations: Indonesia
Indonesia is an emerging market for film locations with a wealth of untapped resources and a talented workforce.
-
FeaturesWorld of Locations: Wales
International productions have long been drawn to this small but perfectly formed country, which provides mountains, lakes, beaches and castles aplenty.
-
FeaturesWorld of Locations: Scotland
With rugged mountains, pristine beaches and cities that double for US metropolises, it is no surprise Scotland soars to the top of the wish list of many a location manager.
-
FeaturesWorld of Locations: England
The new Star Wars, the new JK Rowling and the new Bridget Jones film are all shooting in England.
-
FeaturesWorld of Locations: Nevada
Most productions that come to Nevada are looking for location shoots in and around the city of Las Vegas, though the state’s low tax rates can also be an attraction.
-
FeaturesWorld of Locations: Northern Ireland
HBO’s Game of Thrones may have been one of the early adopters, but it’s not taken long for the rest of the film and TV world to catch on to the benefits of shooting in Northern Ireland.
-
FeaturesFrom cinema to Screen
Former editor Quentin Falk looks back at the launch of Screen International into the troubled industry waters of 1975.
-
FeaturesThe changing face of festivals
Over the past four decades, the festival landscape has been in a state of constant evolution, with events coming and going all over the world.
-
FeaturesVFX: Lights, camera, magic
Four decades ago, film-making technology embarked on a journey that took it far, far away from the rudimentary techniques of previous eras. John Hazelton tracks the progress of the tech revolution
-
FeaturesForty Years of British Film
Over the past 40 years, the UK film industry has had its share of creative and financial ups and downs. Screen tracks its progress from the depression of the mid-1980s to the highs of recent years.