Latest – Page 156
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Reviews
‘Mosquito State’: Venice Review
The 2007 financial collapse serves as the backdrop for this intriguing, insect-laden drama
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Reviews
‘Mandibles’: Venice Review
Winning slacker comedy set on the Cote D’Azur in which a fly strays very far from the wall
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Reviews
‘Shorta’: Venice Review
A timely, compelling thriller that confronts police brutality and racial tension
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Reviews
‘Miss Marx’: Venice Review
Susanna Nicchiarelli pays tribute to Karl Marx’s youngest daughter, Eleanor
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Reviews
‘The Man Who Sold His Skin’: Venice Review
An art-world satire featuring a tattooed living canvas makes for a wild ride
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Reviews
‘Mainstream’: Venice Review
Gia Coppola returns after Palo Alto with an abrasive ode to You Tuber culture starring Andrew Garfield
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Reviews
‘Padrenostro’: Venice Review
Inspired by Claudio Noce’s childhood, this assassination drama morphs into a father-son tale
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Reviews
‘The Furnace’: Venice Review
An Afghan cameleer and an Australian thief join forces in this thoughtful Western
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Reviews
‘The Disciple’: Venice Review
An immersive exploration of Indian classical music - and one man’s quest to become a master
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Reviews
‘The Book Of Vision’: Venice Review
Venice Critics Week opens with a ’wilfully enigmatic film’ clearly influenced by EP Terrence Malick’s work
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Reviews
‘Honey Cigar’: Venice Review
Stirring coming-of-age drama parallels a woman’s sexual awakening with Algeria’s political adolescence
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Reviews
‘Gaza Mon Amour’: Venice Review
The Nasser brothers turn their lens on a late-life romance in Gaza featuring Hiam Abbass and Salim Daw
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Reviews
‘Final Account’: Venice Review
A decade’s worth of interviews with elderly Germans culminates in late filmmaker Luke Holland’s Third Reich study
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Reviews
‘Mulan’: Review
Long delayed, much anticipated, Disney’s live-action epic is now going directly into homes
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Reviews
‘Night In Paradise’: Venice Review
A blood-spattered crime thriller from the writer of ‘I Saw The Devil’
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Reviews
‘Lovers’: Venice Review
Stacy Martin and Pierre Niney headline Nicole Garcia’s Venice Competition title
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Reviews
‘Quo Vadis, Aida?’: Venice Review
Jasmila Zbanic directly addresses Srebrenica in this taut, compelling film
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Reviews
‘Oasis’: Venice Review
Love triangle set in a Serbian institution for young people with learning disabilities is bracingly authentic