Latest – Page 122
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FeaturesBFI’s Mia Bays and Neil Peplow head to Tallinn Black Nights’ industry showcase
The BFI has a delegation of 19 UK film prodcuers and filmmakers taking part in the festival.
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FeaturesOscars international feature race 2023: Americas contenders
This year’s crop sees filmmakers at various stages of their career.
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FeaturesOscars international feature race: the Asia Pacific contenders
Can the region continue its run of success?
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FeaturesAre the gatekeepers of the international feature doc sector brave and inclusive enough?
“We’re ready for the ‘giving up space’ phase,” says one producer.
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FeaturesOscars international feature race: the European contenders
This year, 41 countries from Europe have entered the international feature film race.
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Features“We cannot have another year like this,” say doc sales agents at IDFA
Cautious distributors, slimmed-down festivals and dwindling funders are cause for concern.
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FeaturesOeke Hoogendijk explains how she convinced her agoraphobic mother to feature in ‘Housewitz’
The Dutch documentary director is debuting two very different films at IDFA.
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FeaturesTallinn Black Nights Film Festival opens with exemption from any new Covid measures
The festival has a new green focus and increased prize money
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FeaturesMy Screen Life: Estonian film head Edith Sepp on her love of yoga, jazz and her ambition to become a film editor
The Estonian Film Institute CEO reveals her favourite films, proudest moment and why Christopher Nolan should direct her biopic.
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FeaturesRising Icelandic filmmaker Tinna Hrafnsdóttir talks about her directorial debut ‘Quake’
Icelandic psychological mystery is premiering at Estonia’s Black Nights Film Festival.
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FeaturesWhy the Black Nights Discovery Campus is the cornerstone of Tallinn festival’s industry focus
The new talent initative is designed to give regional talent an international boost.
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FeaturesAtlas Workshops to showcase a new generation of Moroccan filmmakers
2022 looks set to be a promising year for Moroccan cinema.
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![Erige Sehiri eliseortioucampion (1)[1]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/3/5/1358035_erigesehirieliseortioucampion11_330769.jpg)
FeaturesErige Sehiri’s ‘Fig Trees’ promises rare snapshot of Tunisia’s rural youth
The fiction feature captures contemporary Tunisian society through the prism of teenage female fig pickers.
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FeaturesWhy Lemohang Jeremiah Mosese is urgently seeking development funds for ‘The Chattering of Teeth’
Project is Mosese’s second feature after award-winning This is Not a Burial, It’s a Resurrection.
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FeaturesMarrakech’s Atlas Workshops poised to ride Arab, African indie cinema wave
The Workshops are running online from November 22-25.
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FeaturesHow are producers making documentaries with real impact without preaching and turning off audiences?
Producers need to balance supporting a filmmaker’s vision while raising funding and finding an audience.
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FeaturesIDFA Bertha Fund head: “Whenever there is a rise in applications, it comes from Latin America”
Isabel Arrate Fernandez, head of the Bertha Fund, on why applications doubled in 2020.
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FeaturesLouis Hothothot on how IDFA opening film ‘Four Journeys’ brought him back to his family
The film tells the story off how China-born Hothothot was an illicit second child during China’s one-child era.
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FeaturesSydney Film Festival director Nashen Moodley talks date changes, fainting audience members
Moodley discussed staging this year’s event, the most talked about films and the pros and cons of the on-demand elements.
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FeaturesNew talent focus: ‘Carajita’ directors Ulises Porra and Silvina Schnicer
The Spanish and Argentinian filmmaking duo on how they pressed reset on their San Sebastian favourite Carajita.