Latest – Page 133
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FeaturesAsian industry gives verdict on Cannes, market conditions
Asia was busy buying and selling via Zoom meetings during the Marche, but only diversified companies have real spending power, and most of the Chinese buyers sat this one out.
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FeaturesPhones in the cinema and cutaway videos: is this the future of interactive filmmaking?
What will it take for interactive independent filmmaking to finally break into the mainstream?
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Features“Incredibly short-sighted”: UK industry reacts to possible privatisation of Film4
Many have expressed fears a private owner would not maintain Film4’s commitment to creative risk-taking and support of new talent.
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FeaturesScreen critics’ top films from Cannes 2021
The buzziest titles from the Cannes Competition, UCR, Directors’ Fortnight and Critics’ Week sections.
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FeaturesWhy Bifan expanded its XR programme to Incheon international airport
XR curator Jay Kim talks to Screen about the South Korean festival’s augmented, virtual and mixed reality titles.
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FeaturesHow Bifan’s Scary Tales is looking to foster a new generation of genre talent
Initiative launched in 2020 to discover and archive scary stories.
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Features“I can’t hide my identity”: Hong Kong filmmaker Kiwi Chow on his surprise Cannes selection ‘Revolution Of Our Times’
Chow’s documentary offers an unflinching look at Hong Kong’s latest pro-democracy movement.
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FeaturesNabil Ayouch discusses youthful Cannes hip-hop drama ‘Casablanca Beats’
Drama was inspired by cultural centre Ayouch spearheaded in Casablanca slum neighbourhood.
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FeaturesMy Screen Life: New Europe Film Sales’ Jan Naszewski on the best festival to end the year
The New Europe Film Sales chief on his influences, both on and off screen, his favourite festivals, and what it takes to impress his mother.
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FeaturesUK production boom sees ScreenSkills focus on in-demand roles
ScreenSkills is ensuring the UK film and TV industry has the workforce it needs by training and upskilling professionals to excel in roles and grades that are particularly in-demand.
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FeaturesPaul Verhoeven on making ‘Benedetta’, intimacy coordinators, and his 'Bel Ami' and Jesus projects
Benedetta caused a stir following its premiere in Cannes’ Competition.
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FeaturesIndie Sales builds strong Cannes slate after challenging two years
Indie Sales line-up includes six Cannes tiles including Bruno Dumont’s Competition film France, starring Léa Seydoux.
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FeaturesValdimar Jóhannsson on the inspiration behind Cannes title ‘Lamb’
Icelandic filmmaker Valdimar Jóhannsson brings his debut feature Lamb to Cannes Un Certain Regard.
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FeaturesCannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
In his latest film, the Ukrainian director examines a notorious Second World War massacre.
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FeaturesWhy Ireland’s production sector is soaring
International interest in Ireland’s producers, filmmakers, content and locations is sky high.
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FeaturesTotem Films team talk Cannes slate, creating unique sales campaigns
Having risen to the challenges of the pandemic, Paris-based sales company Totem Films is enjoying a high-profile Cannes.
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FeaturesFunding challenges and difficult subject matter: making Justin Kurzel’s ‘Nitram’
Australian producer Nick Batzias discusses the Palme d’Or contender.
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FeaturesBerlin prize-winner Ryusuke Hamaguchi talks Cannes Competition title ‘Drive My Car’
The film is based on a Haruki Murakami short story.
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FeaturesSix Nordic rising talents making a splash at Cannes
Nordic countries are having one of their busiest Cannes ever.
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FeaturesJoachim Trier on his existential romantic comedy ‘The Worst Person In The World’
The Worst Person In The World is in Cannes’ Competition section.