Small MPU – Page 3007
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FeaturesPawan Kumar talks Netflix-bound 'U-Turn' and crowdfunding
Bangalore-based film-maker Pawan Kumar, who recently sold his feature U-Turn to Netflix, explains how he used crowdfunding and digital distribution to launch his first three films.
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NewsFirst Brussels Co-production Forum set for December
EXCLUSIVE: First edition of Brussels Coproduction Forum to run during Be Film Festival.
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NewsTurkey exits Creative Europe, Israel set to join
Turkey’s decision to leave the European funding programme has taken EU and local culture organisations by surprise.
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Features'Baahubali: The Conclusion', on location report
The first part of SS Rajamouli’s Telugu-language epic, Baahubali: The Beginning, stormed the Indian box office and sold to 30 territories. Now the follow-up has set its sights on further international success.
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FeaturesNordic focus: new talent schemes break the mould
Three initiatives in Scandinavia are encouraging film-makers to experiment by breaking out of production norms.
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FeaturesMIPCOM preview: Netflix, Amazon signal new television era
As content platforms proliferate, the focus of this year’s MIPCOM market (Oct 17-20) will be the rewards and challenges of The New Television era - one in which Netflix and Amazon’s future domination may no longer be a given.
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FeaturesMIPCOM: how to excel in India's burgeoning VOD market?
India is on the brink of a streaming revolution, with international players joining a host of local platforms. But can anyone make money in this complex and crowded market? Liz Shackleton reports.
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FeaturesMIPCOM: Blurred lines between film, TV industries
It has taken Hollywood a while to catch up with some parts of the world, but the demarcation between the US film and television industries is becoming ever more faint.
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FeaturesMIPCOM: US TV industry making diversity strides
US television has made positive strides towards on-screen diversity, whereas progress in the film industry remains slow. It is a trend that is reaping rewards.
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FeaturesMIPCOM: UK indies embracing high-end TV
Independent UK producers are increasingly branching out into high-end TV drama, driven by financial and creative opportunities. Is this the golden goose for the indie film sector?
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FeaturesMIPCOM: Swedish TV outfit Yellow Bird's flight plan
Swedish TV and film production company Yellow Bird is moving beyond its Nordic Noir roots with an ambitious slate mostly for the small screen.
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FeaturesBusan: Kang Soo-youn talks "tough year" and Korean cinema
In her first edition as solo director, Kang Soo-youn talks to Jean Noh about putting BIFF together in turbulent times.
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NewsMIPCOM: Wild Bunch TV to launch trio of new series
TV sales arm to mark first anniversary at Cannes content market.
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NewsSIFF director Carl Spence to step down
The chief curator and festival director at the Seattle International Film Festival (SIFF) will continue to serve in an advisory capacity through spring 2017.
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NewsKevin Hoiseth to head sales at Concourse Media
Co-founders Matthew Shreder and James Andrew Felts have hired the executive, who most recently served at International Film Trust.
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NewsXYZ Films promotes Scott Freije
EXCLUSIVE: The executive becomes part of an expanded sales division in the run-up to next month’s AFM in Santa Monica.
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NewsNorth American briefs: Open Road dates 'Bleed For This' expansion
Plus: Travis Reid named RealD COO; BAFTA sets VR advisory group
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News'Bridget Jones's Baby' passes £30m at UK box office
Tim Burton’s Miss Peregrine opened to £3.45m, while Peter Berg’s Deepwater Horizon posted close to £2m.
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NewsAardman starts 'Early Man' shoot, releases first video
Eddie Redmayne leads the voice cast of the latest feature animation from the Shaun The Sheep creators.
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NewsScandinavia: CEO changes at SF Studios, Goteborg, Film Vast
It has been a busy week in Scandinavia as new CEOs are appointed at SF Studios and the Goteborg Film Festival, and Film Vast’s popular CEO Tomas Eskildsson announced he will step down.