TV features – Page 9
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FeaturesSee-Saw: how to sustain a red-hot production company
See-Saw co-founders Iain Canning and Emile Sherman tell Matt Mueller what goes into sustaining one of the industry’s hottest independent production houses.
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Berlin: High-end TV drama on the rise at EFM
Overcoming its early sceptics, the focus on high-end TV in Berlin’s market has quickly asserted itself, with EFM Drama Series Days a popular fixture in its third year.
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Peter Morgan updates on series two and three of 'The Crown'
Showrunner explains recasting the show and why working with Netflix is “liberating”.
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Jill Soloway talks new Amazon series and "scary" Donald Trump
The Emmy-winning creator of Transparent won the directing award at Sundance 2013 for her debut feature Afternoon Delight and talks about her return to Park City with the first three episodes of the Amazon Studios series I Love Dick .
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Haifa: TV strand highlights family dramas
The festival’s TV section has been rebranded as Haifa TV Series Meetings (Oct 20) this year.
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MIPCOM: how to excel in India's burgeoning VOD market?
India is on the brink of a streaming revolution, with international players joining a host of local platforms. But can anyone make money in this complex and crowded market? Liz Shackleton reports.
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MIPCOM: Swedish TV outfit Yellow Bird's flight plan
Swedish TV and film production company Yellow Bird is moving beyond its Nordic Noir roots with an ambitious slate mostly for the small screen.
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MIPCOM: US TV industry making diversity strides
US television has made positive strides towards on-screen diversity, whereas progress in the film industry remains slow. It is a trend that is reaping rewards.
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MIPCOM: Blurred lines between film, TV industries
It has taken Hollywood a while to catch up with some parts of the world, but the demarcation between the US film and television industries is becoming ever more faint.
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MIPCOM: UK indies embracing high-end TV
Independent UK producers are increasingly branching out into high-end TV drama, driven by financial and creative opportunities. Is this the golden goose for the indie film sector?
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MIPCOM preview: Netflix, Amazon signal new television era
As content platforms proliferate, the focus of this year’s MIPCOM market (Oct 17-20) will be the rewards and challenges of The New Television era - one in which Netflix and Amazon’s future domination may no longer be a given.
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Crossing the channel (COMMENT)
Screen editor Matt Mueller talks MIPCOM and looks ahead to awards season.
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The Night Manager’s 40m views in China highlights growing drama opportunity
EXCLUSIVE: The “last frontier” for high-end drama is opening up, according to industry experts.
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Jeremy Isaacs talks Channel 4 privatisation, 'The World At War' and director Jack Gold
Founding chief executive of Channel 4 discusses potential privatisation and career highlights.
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MIPTV: high-end drama, cinema crossover set to dominate
The cinema world’s growing love affair with TV will be more evident than ever at this year’s MIPTV.
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MIPTV: drama on the Croisette
Screen ’s selection of MIPTV titles to look out for from both broadcasters and streaming players.
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Asia TV Forum & Market 2015: small screen, big picture
SCREEN SUBSCRIBERS : Singapore’s thriving Asia TV Forum Market is designed to offer real insights into how to reach Asian TV audiences. Silvia Wong reports
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In focus: screenwriting
Ahead of the eve of the sixth Bafta and BFI Screenwriters’ Lecture Series (Sept 23-Oct 3), four celebrated screenwriters discuss how the Netflix era has put them back in control.
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Toronto 2015: TV at film festivals
TV pilots, premieres and catch-ups are becoming must-haves for film festivals. Andreas Wiseman reports on a rapidly expanding trend.
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The data revolution
Data analytics helped Netflix brew up its hit show House Of Cards, but as a useful industry tool it’s still in its infancy. Nikki Baughan explores the potential of data for other broadcasters, exhibitors and studios.
