All articles by Charles Gant – Page 6
-
FeaturesBFI's Ben Roberts hails a creative boom in low-budget British films
British debuts Lady Macbeth, God’s Own Country and I Am Not A Witch are all playing currently at Jerusalem Film Festival.
-
FeaturesFive upcoming UK feature debuts earning industry buzz
Screen profiles the next wave of exciting British indie projects.
-
FeaturesFour European marketing campaigns that paid off for Disney
These territories brought some local variety to their Disney release campaigns.
-
FeaturesCineEurope 2017 to focus on tech, youth and gender challenges
With box office booming for a third straight year, this year’s CineEurope should welcome exhibitors in confident mood.
-
FeaturesDisney UK and Europe co-heads share the secrets of their success
Ahead of their CineEurope award, Screen spoke to Lee Jury and Tony Chambers about Disney’s amazing 2016.
-
FeaturesWhy foreign-language films are struggling in UK cinemas
Releasing arthouse films is as challenging as ever, but there are grounds for optimism.
-
FeaturesThree UK arthouse success stories that bucked the trend in 2017
The UK has long been a tough market for foreign-language films, but things are looking up this year.
-
Reviews'Jawbone': Review
Director Thomas Napper makes his debut with this nimble drama of down-for-the-count boxer chasing one last win
-
-
ReviewsFilms of the Year 2016: Charles Gant
Charles Gant has been film editor and critic for Heat magazine since its launch, and is a contributing editor to Screen International. He also contributes to Sight & Sound and discusses the industry on Radio 4’s The Film Programme.
-
FeaturesUK box office 2016 verdict: the surprise hits and misses
Did the record-breaking success of 2015 help tempt consumers back into the cinema-going habit?
-
-
-
-
-
-
-
FeaturesBox Office 2016: summer of surprises
Following 2015’s spectacular summer box office, it felt like 2016 would struggle to keep up. Surprisingly, even with the Euro football championships and the Olympics, the pace hasn’t been far off. By Charles Gant
-
