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All articles by Gabriele Niola – Page 2
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NewsTrue Colours adds Paolo Genovese’s ‘Superheroes’ to AFM slate (exclusive)
The Italian sales company reunites with director Paolo Genovese.
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FeaturesWhy Rome is growing in significance on the film festival circuit
”Once you get rid of the absurd idea of exclusivity, you can stop being at war with festivals close to yours and start collaborating.”
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NewsLocarno premiere ‘Cat In The Wall’ sells to Spain (exclusive)
Vesela Kazakova and Mina Mileva’s drama also played in Competition at Sarajevo.
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FeaturesAlberto Barbera talks Venice logistics, VR and his future as artistic director
Barbera has been weathering a storm over the lack of female filmmakers in Competition.
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NewsVenice buzz: will male directors dominate the competition again?
Films tipped from around the world are mostly directed by men.
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NewsTorinoFilmLab unveils FeatureLab mentors (exclusive)
Line-up includes The Ornithologist director Joao Pedro Rodrigues and XX’s Nanouk Leopold.
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NewsItaly's Filmexport steps up to ensemble drama 'The Night Is Short For Us' (exclusive)
Elda Ferri produces for Ad Hoc Film and Rai Cinema.
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NewsFerzan Ozpetek's 'The Fortune Goddess' shines for True Colours (exclusive)
It is written by Ozpetek with his longtime collaborator and producer Gianni Romoli and Silvia Ranfagni.
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FeaturesCannes Market: buzz titles from Spain, Italy, Germany, Russia, Nordics
Screen profiles a selection of this year’s need-to-know projects.
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FeaturesTrue Colours' Catia Rossi on the pros and cons of each film market
Rossi talks to Screen about how she chooses which markets to attend and which ones are best for her films.
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NewsTorino FeatureLab reveals 2019 projects (exclusive)
Seven of the selected projects are debut films this year, with four directed by women.
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NewsMatteo Garrone's 'Dogman' wins big at Italy's David di Donatello awards
Netflix’s drama On My Skin also won three key awards.
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FeaturesItalian producers of 'The Name Of The Rose' explain how the English-language TV series came together
”We could have shot in Latin but really I don’t think it would have brought any added value.”
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NewsThe Open Reel closes deals on EFM slate (exclusive)
Italian sales agent does business in Berlin.
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NewsTrue Colours sets 'The Invisible Witness' deals including France (exclusive)
Psychological thriller grossed $2.5m in Italy.
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Features25 European films to tempt festival directors in 2019
Returning directors include Almodovar, Hansen-Love and Celine Sciamma.
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NewsThe downward trend at the Italian box office continued in 2018
Takings still on the slide despite a decent effort from local fare.
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NewsItaly’s Eagle Pictures launches international film and TV production division (exclusive)
Projects include comic book adaptation Dampyr and feature comedy A Son Called Eramus
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NewsTorinoFilmLab unveils major expansion and new artistic team (exclusive)
Matthieu Darras to step down, to be replaced by two curators, three heads of studies.
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FeaturesAFM 2018: International sales chief David Bogi on Rai Com's changing strategy
Rai Com have been boarding projects at the earliest stages of production rather than waiting until they are completed.