Latest – Page 39
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Reviews
‘The Virtuoso’: Review
Anthony Hopkins stars in a hitman thriller that fails to thrill or hit
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Reviews
‘Raising A School Shooter’: CPH:DOX Review
Sensitive documentary focusing on the parents of children who have carried out school shootings
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Reviews
‘Mortal Kombat’: Review
The only epic element of this Warner Bros reboot is the level of violence onscreen
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Reviews
‘United States Vs. Reality Winner’: CPH: DOX Review
Taut investigation into the jailing of US whistleblower Reality Winner
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Reviews
‘Stowaway’: Review
No place in outer space for an accidental passenger on ’Arctic’ director Joe Penna’s mission to Mars
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Reviews
‘The Mitchells Vs. The Machines’: Review
A delightful family comedy moves from Sony to Netflix, where it should be welcomed with open arms
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Reviews
‘Faya Dayi’: Visions du Reel Review
Ethiopia’s lucrative khat crop inspires a hypnotic, immersive documentary glimpse into the country’s soul
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Reviews
‘Users’: Visions du Reel Review
An anxious investigation into how technological advancement may affect our children
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Reviews
‘Searchers’: Visions du Reel Review
Swipe right for this lively examination of New Yorkers venturing onto dating apps during a pandemic
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Reviews
‘Thunder Force’: Review
Melissa McCarthy and Octavia Spencer suit up as superheroes for Netflix
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Reviews
‘Every Breath You Take’: Review
Casey Affleck, Michelle Monaghan and Sam Claflin star in a domestic invasion drama
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Reviews
‘Who We Are: A Chronicle Of Racism In America’: SXSW Review
Jeffery Robinson links the chains of America’s black history
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Reviews
‘Tom Petty, Somewhere You Feel Free’: SXSW Review
A poignant look at the making of the musician’s ground-breaking solo album, ‘Wildflowers’, in 1994
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Reviews
‘Islands’: SXSW Review
Tagalog-language SXSW Jury prize-winner is set inside Canada’s Filipino community
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Reviews
‘Nobody’: Review
Universal teams up with Better Call Saul’s Bob Odenkirk and John Wick’s creator for some bloody B-movie thrills
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Reviews
‘The Fallout’: SXSW Review
SXSW’s top narrative prize-winner examines the aftermath of a school shooting in an indirect but powerful way
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Reviews
‘Violet’: SXSW Review
Justine Bateman’s debut drama is about a Hollywood film executive who has to deal with her demanding - and demeaning - inner voice