Latest – Page 126
-
Reviews‘Lamb’: Cannes Review
Confident Icelandic debut which ’walks a delicate balance between supernatural thriller and absurdist comedy’
-
Reviews‘A Hero’: Cannes Review
Asghar Farhadi returns to Competition with the story of an unlinkely man caught in a social media storm
-
Reviews‘The Stronghold’ (‘Bac Nord’): Cannes Review
Cedric Jiminez directs this crime drama based on a true case of police corruption in Marseille in 2012
-
Reviews‘Streetwise’ (‘Gaey Wa’r’): Cannes Review
Gritty drama from China is set in the Sichuan Province of two decades ago
-
Reviews‘The French Dispatch’: Cannes Review
Wes Anderson launches his fantastical France-set anthology at Cannes before a September global release through Searchlight
-
Reviews‘Invisible Demons’: Cannes Review
Indian filmmaker Rahul Jain pulls no punches about his homeland’s environmental crisis
-
Reviews‘Petrov’s Flu’: Cannes Review
Incarcerated Russian filmmaker Kirill Serebrennikov sends his latest drama to Cannes Competition
-
Reviews‘Commitment Hasan’: Cannes Review
Turkey’s Semih Kaplanoglu continues his ‘Commitment’ trilogy in Cannes Un Certain Regard
-
Reviews‘Murina’: Cannes Review
Tense debut set on a Croatian island promises an explosive payoff – and delivers
-
Reviews‘Bruno Reidal, Confessions Of A Murderer’: Cannes Review
France’s Vincent Le Port makes his arresting debut with this dramatisation of a real-life murderer
-
Reviews‘JFK Revisited: Through The Looking Glass’: Cannes Review
Oliver Stone returns to the scene of the crime
-
Reviews‘Moneyboys’: Cannes Review
A gay Chinese hustler struggles to cope with the disapproval of his rural family
-
Reviews‘Amparo’: Cannes Review
An intense and personal debut from Colombian filmmaker Simon Mesa Soto
-
Reviews‘Medusa’: Cannes Review
Brazillian filmmaker Anita Rocha da Silveria cements her reputation with this stylish satire
-
Reviews‘Bergman Island’: Cannes Review
Mia Hansen-Løve takes Vicky Krieps and Tim Roth on a pilgrimage to Sweden
-
Reviews‘Evolution’: Cannes Review
An intense, stylised rendition of a Holocaust-themed stage play by Kata Weber and Kornel Mundruczo
-
Reviews‘Babi Yar. Context’: Cannes Review
Sergei Loznitza turns his gaze to wartime Ukraine, and the 1941 massacre of Jews outsite Kiev, in this powerful documentary
-
Reviews‘Three Floors’: Cannes Review
Nanni Moretti returns to Cannes with an adaptation of an Israeli novel transposed to an affluent Rome suburb
-
Reviews‘Are You Lonesome Tonight?’: Cannes Review
Wen Shipei’s lacklustre Chinese hit-and-run thriller makes its international premiere as a Cannes special screening
-
Reviews‘Drive My Car’: Cannes Review
Japanese filmmaker Ryusuke Hamaguchi effectively adapts a short story by Haruki Murakami