Latest – Page 139
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FeaturesCPH:DOX director Alvaro F. Pulpeiro – “You can almost touch the image”
The Colombia-based Spanish filmmaker recounts the challenges and inspirations behind his documentary ‘So Foul A Sky’.
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FeaturesCPH:DOX director Tuija Halttunen – “Making this film was very long and painful”
The Finnish director reflects on the journey behind documentary ‘How To Kill A Cloud’.
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FeaturesHow going virtual has fostered innovation and diversity at CPH:DOX’s industry events
“We’re hoping the pitch itself will become more cinematic,” explained the industry team.
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FeaturesCPH:DOX director Guido Hendrikx – “I was like an extra-terrestrial”
‘A Man With A Camera’ saw the Dutch filmmaker knock on the doors of total strangers and remain silent while filming their reactions.
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FeaturesCPH:DOX director Roser Corella - “I hope the film can be a tool to fight the system”
‘Room Without A View’ explores at the bleak reality of foreign domestic workers in Lebanon.
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FeaturesCan the international festival circuit save creative documentary making?
Theatrical prospects for many festival doc films are slimmer than ever.
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FeaturesHow the Moscow International Film Festival is holding a physical edition with international guests
The festival will go ahead entirely in cinemas, which are now open in Moscow with Covid measures in place.
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FeaturesHow CPH:DOX is taking the best elements of online to create a vibrant, challenging hybrid edition
Outgoing CEO Tine Fischer talks revitalising “cold” Zoom panels and the promise of physical screenings.
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FeaturesMy Screen Life: UK composer Daniel Pemberton talks biggest mistake and ‘Spider-Verse 2’
The Oscar-nominated film composer discusses his messy studio, the upsides of the pandemic and being mistaken for Owen Wilson.
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FeaturesIn conversation: Ai Weiwei, ‘Collective’ director Alexander Nanau talk censorship, film festivals, streamers
The duo discussed over Zoom the origins and difficulties in making Collective, the film’s fractious Oscar campaign and future of the film industry.
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FeaturesHow the ‘News Of The World’ production designer made one set into four different towns
David Crank added Paul Greengrass to a list of collaborators that includes Terrence Malick and Paul Thomas Anderson.
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FeaturesHow the makers of ‘Quo Vadis, Aida?’ went from a crippling crisis to the Oscars
Wife-and-husband duo Jasmila Zbanic and Damir Ibrahimovic tell Screen about the challenges mounting Quo Vadis, Aida?
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FeaturesAwards whispers: What did our voters make of the Bafta 2021 awards?
Our anonymous voters discuss this year’s Bafta winners and awards show.
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FeaturesVisions du Réel’s Emilie Bujès talks meeting the challenge of a second pandemic edition
Artistic director Emilie Bujès reveals the struggles and fresh alliances that have come out of hosting a second edition during the virus crisis.
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Features‘Promising Young Woman’ director Emerald Fennell breaks down three standout scenes
The Oscar-nominated filmmaker tells Screen about her writing and directing choices.
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Features“The stars aligned”: how Hong Kong’s ‘Better Days’ made it into the Oscar race
The producers and distributors retrace the journey of the coming-of-age drama to the Academy Awards.
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Features‘Mank’ writer-producer Eric Roth on working with Fincher, ’Dune’, Scorsese’s next project
Oscar-winning screenwriter Eric Roth served twin roles on Mank — punching up Jack Fincher’s screenplay and as producer
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FeaturesThe story behind Bafta-winning documentary ‘My Octopus Teacher’
The uplifting tale of a man recovering from depression through his bond with a sea creature has taken the world by surprise, charming audiences and awards voters alike.
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Features‘Judas And The Black Messiah’ filmmakers talk bringing their powerful story to the screen
‘Screen’ talks to director Shaka King and producer Charles King about their ambitious drama.
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Features‘Minari’ producer Christina Oh on her personal connection to the Korean immigrant story
Oh was brought the script by her friend, the film’s eventual star Steven Yeun.