All articles by Lee Marshall – Page 13
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Reviews‘The Audition’: San Sebastian Review
Nina Hoss stars in this Belin-set feature about a violin teacher and her family
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Reviews‘Noura’s Dream’: San Sebastian Review
In working-class Tunis, little has changed for women in Hinde Boujemaa’s fiction debut
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Reviews‘Disco’: San Sebastian Review
‘Skam’s Josephine Frida headlines this intense Norwegian drama about faith
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Reviews‘The Domain’: Venice Review
The chronicle of a Portuguese land-owning family as their fortunes change across 45 years
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Reviews‘Mosul’: Venice Review
The true story of an Iraqi SWAT team waging war against ISIS in Mosul
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Reviews‘Babyteeth’: Venice Review
A cancer-stricken teen strikes up a relationship with an older drug dealer
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Reviews‘Guest Of Honour’: Venice Review
A man and his adult daughter attempt to unravel their knotty relationship in Atom Egoyan’s measured drama
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Reviews‘The Painted Bird’: Venice Review
An abandoned boy witness atrocities throughout Europe at the close of World War II
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Reviews‘Martin Eden’: Venice Review
Jack London’s seminal novel is transferred to mid-century Naples by the director Pietro Marcello
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Reviews‘Chola (Shadow Of Water)’: Venice Review
An Indian teen experiences a horrific night with her boyfriend and his aggressive boss
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Reviews'Wasp Network': Venice Review
The true story of a Cuban airline pilot who plots to bring down Castro in 1990s Havana
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Reviews‘La Llorona’: Venice Review
The acquittal of a former Guatemalan general unleashes a vengeful spirit upon his household
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Reviews‘The Truth’: Venice Review
Japanese maestro Hirokazu Kore-Eda opens Venice 2019 with a French curio
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Reviews'It Must Be Heaven': Cannes Review
Elia Suleiman returns to Cannes Competition with a typically deadpan travelogue
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Reviews'Oh Mercy!': Cannes Review
Arnaud Desplechin’s latest is a murder mystery based on a real-life crime
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Reviews'The Bears' Famous Invasion': Cannes Review
Stylish animated adaptation of Dino Buzzati’s 1945 novel
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Reviews'To Live To Sing': Cannes Review
Johnny Ma’s colourful film is centred around a Chengdu Opera troupe on the verge of collapse
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Reviews'The Invisible Life Of Euridice Gusmao': Cannes Review
Two sisters are forced to live apart in 1950s Rio de Janiero
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Reviews'The Lighthouse': Cannes Review
Robert Eggers follows up The Witch with a starkly-compelling Expressionist drama