All articles by Nikki Baughan – Page 22
-
FeaturesPerspectives on 2020: The British Blacklist founder Akua Gyamfi on forging exciting new partnerships
”There is an inherent fear of black power, creative and economic.”
-
FeaturesPerspectives on 2020: Ita O’Brien on the new challenges for intimacy co-ordinators
Intimacy on Set founder Ita O’Brien tells us why respecting on-screen intimacy is more important than ever.
-
Features50 films to watch this awards season: 2021 edition
Also find out the 10 performances, documentaries and UK indies to tempt voters.
-
Reviews‘Should The Wind Drop’: Thessaloniki Review
In forgotten - and disputed - Nagorno Karabakh a new airport is a beacon for hope
-
![2ND PREF The Racer_Still_001[676]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/3/1/1335031_2ndpreftheracer_still_001676_789815.jpg)
Reviews‘The Racer’: Cork Review
The stakes grow ever-higher for a professional cyclist and doper in Kieron J. Walsh’s Ireland-set drama
-
NewsInternational industry to come together to watch new projects at Doclisboa
Doclisboa’s industry strand Nebulae is entirely online this year.
-
Reviews‘The Salt In Our Waters’: London Review
An artist travels to Bangladesh in search of inspiration - but runs into more than one storm on arrival in the Ganges Delta
-
Reviews‘The Banishing’: Review
Christopher Smith musters up familiar genre elements for this Gothic haunted house horror
-
Reviews‘Ultraviolence’: London Review
Ken Fero continues his powerful catalogue of deaths in police custody in the UK
-
Reviews‘Stray’: London Review
It’s a dog’s life for everyone in this award-winning doc set on the streets of Istanbul
-
Reviews‘Ghosts’: Venice Review
Venice Critics Week winner is a timely story set in Istanbul of the very near future
-
Reviews‘Beans’: Toronto Review
Tracey Deer’s impressive debut captures the Mohawk people of Canada at a time of crisis
-
Reviews‘The Furnace’: Venice Review
An Afghan cameleer and an Australian thief join forces in this thoughtful Western
-
Reviews‘The Book Of Vision’: Venice Review
Venice Critics Week opens with a ’wilfully enigmatic film’ clearly influenced by EP Terrence Malick’s work
-
Reviews‘Oasis’: Venice Review
Love triangle set in a Serbian institution for young people with learning disabilities is bracingly authentic
-
FeaturesEmmys spotlight: ‘The Crown’ director Jessica Hobbs on landing the season three finale
The Emmy-nominated director on how Princess Margaret became the focus of the ‘Cri de Coeur’ episode.
-
FeaturesEmmys spotlight: ’I Am Not Okay With This’ writer-director talks the alchemy of Netflix
’The End Of The F***ing World’ and ’I Am Not Okay With This’ writer/director Jonathan Entwistle on how streaming platforms are opening up new creative possibilities
-
FeaturesEmmys spotlight: Cynthia Erivo on defying perceptions in ‘The Outsider’
UK actress/singer Cynthia Erivo discusses getting into the head of a savant investigator in ’The Outsider’.
-
FeaturesEmmys spotlight: How Josh O’Connor found “the essence” of Prince Charles for ‘The Crown’
The ’God’s Own Country’ star plays the heir to the British throne in seasons three and four.
-
Reviews‘Los Conductos’: Berlin Review
An intense and disorientating debut from Colombia plays in Berlin’s new Encounters strand