All Reviews articles – Page 157
-
Reviews‘Three Floors’: Cannes Review
Nanni Moretti returns to Cannes with an adaptation of an Israeli novel transposed to an affluent Rome suburb
-
Reviews‘Drive My Car’: Cannes Review
Japanese filmmaker Ryusuke Hamaguchi effectively adapts a short story by Haruki Murakami
-
Reviews‘Zero Fucks Given’: Cannes Review
Adele Exarchopoulos stars as an endlessly on-the-move flight attendant in this Critics Week film
-
Reviews‘Intregalde’: Cannes Review
Romania’s new wave director Radu Muntean returns with a cast of characters who can’t see the woods for the trees
-
Reviews‘Peaceful’: Cannes Review
Emmanuelle Bercot returns to Cannes with a tough cancer drama starring Catherine Deneuve and Benoit Magimel
-
Reviews‘Returning To Reims’: Cannes Review
Jan-Gabriel Pierot uses archive footage to paints his portrait of French working class life over 70 years
-
Reviews‘The Innocents’: Cannes Review
Eskil Vogt constructs a whole new playground in compelling Un Certain Regard drama
-
Reviews‘Supremes’: Cannes Review
Biopic of French 80s rappers Supreme NTM plays a lively midnight section at Cannes
-
Reviews‘Ali & Ava’: Cannes Review
Clio Barnard returns to Bradford with a love story set in England’s Northern city
-
Reviews‘Bloody Oranges’: Cannes Review
Jean-Christophe Meurisse pushes buttons with his provocative Cannes Midnight entry
-
Reviews‘Flag Day’: Cannes Review
Sean Penn directs his daughter Dylan - and co-stars as her father - in this Cannes Competition title
-
Reviews‘Compartment No. 6’: Cannes Review
Unlikely travelling companions bond on a train ride from Moscow to Murmansk in Juho Kuosmanen’s Competition title
-
Reviews‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
-
Reviews‘Anais In Love’: Cannes Review
Charline Bourgeois-Tacquet’s elegant French romance makes its debut in Critics Week
-
Reviews‘Good Mother’: Cannes Review
Hafsia Hersi shows her mettle in her second film, set in a Marseilles housing estate
-
Reviews’Unclenching The Fists’: Cannes Review
Russian filmmaker Kira Kovalenko makes her debut with this intense, Un Certain Regard-winning family drama
-
Reviews‘Small Body’: Cannes Review
A young woman attempts to save the soul of her stillborn child in 1900s Italy
-
Reviews‘Hit The Road’: Cannes Review
Panah Panahi raises the roof with his Directors’ Fortnight triumph
-
Reviews‘The Divide’: Cannes Review
Catherine Corsini’s Competition entry is set in the emergency of a Paris hospital during the fallout from a gilets jaune demonstration
-
Reviews‘Mothering Sunday’: Cannes Review
Odessa Young leads a strong British cast in Eva Husson’s adpatation of Graham Swift’s nove















