All Reviews articles – Page 160
-
Reviews
‘Spring Blossom’: San Sebastian Review
Suzanne Lindon makes her acting and directorial debut with remarkable assurance - and success
-
Reviews
‘The Eight Hundred’: Review
China’s first post-pandemic blockbuster moves out to international markets
-
Reviews
‘Rifkin’s Festival’: San Sebastian Review
Woody Allen’s latest was shot in the film festival it now opens
-
Reviews
‘The Water Man’: Toronto Review
David Oyelowo impresses with his family-friendly directorial debut
-
Reviews
‘Good Joe Bell’: Toronto Review
Mark Wahlberg plays the father of a bullied gay son in Reinalo Marcus Green’s follow-up to ‘Monsters And Men’
-
Reviews
‘76 Days’: Toronto Review
A startling picture from inside Wuhan’s beseiged hospitals at the onset of the pandemic
-
Reviews
‘Wildfire’: Toronto Review
Intense debut set in an Irish border town stars Nora-Jane Noone and the late Nika McGuigan
-
-
Reviews
‘Ghosts’: Venice Review
Venice Critics Week winner is a timely story set in Istanbul of the very near future
-
Reviews
‘Concrete Cowboy’: Toronto Review
Idris Elba takes the reins in this story of an inner-city riding school in Philadelphia
-
Reviews
‘Beans’: Toronto Review
Tracey Deer’s impressive debut captures the Mohawk people of Canada at a time of crisis
-
Reviews
‘MLK/FBI’: Toronto Review
Some sobering truths on how an American hero was treated during his own lifetime
-
Reviews
‘Shadow In The Cloud’: Toronto Review
Chloe Grace Moretz headlines this pulpy US/NZ Midnight Madness feature
-
Reviews
‘I Care A Lot’: Toronto Review
Rosamund Pike, Peter Dinklage star in J Blakeson’s amoral thriller
-
-
Reviews
‘Wolfwalkers’: Toronto Review
Cartoon Saloon’s Irish folklore trilogy ends with a film which seems destined to become an instant classic
-
Reviews
‘Pieces Of A Woman’: Venice Review
Vanessa Kirby’s star continues to rise with an intense performance of a bereaved young mother in Kornel Mundroczo’s English-language debut
-
Reviews
‘Nowhere Special’: Venice Review
James Norton tries to find a home for his young boy in Uberto Pasolini’s tender tearjerker
-
Reviews
‘New Order’: Venice Review
Michel Franco’s dystopian howl is dynamic cinema which takes no prisoners
-
Reviews
‘Get The Hell Out’: Toronto Review
Madcap zombie thriller set in Taiwan’s legistlative chambers