All Reviews articles – Page 183
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Reviews
‘The Kingmaker’: Venice Review
Documentarian Lauren Greenfield profiles former Philippines First Lady Imelda Marcos
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Reviews
‘Balloon’: Venice Review
A Tibetan family sheepherding family attempt to deal with a seismic event
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Reviews
‘Ad Astra’: Venice Review
Brad Pitt plays an interstellar astronaut embarking on a dangerous and personal mission in the latest from James Gray
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Reviews
‘Sole’: Venice Review
A Polish girl prepares to sell her unwanted baby to a childless Italian couple
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Reviews
‘5 Is The Perfect Number’: Venice Review
Tony Servillo stars in this Naples-set crime drama ’drunk on pulp pleasures’
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Reviews
‘The Perfect Candidate’: Venice Review
Director Haifaa Al Mansour returns to her native Saudia Arabia for this story about an aspiring female politician
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Reviews
‘Verdict’: Venice Review
A Filipino domestic abuse victim find the local justice system offers little protection
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Reviews
‘Only The Animals’: Venice Review
Dominik Moll opens Venice Days with an intricate, ‘Rashomon’ style potboiler set in a French farming community
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Reviews
‘The Truth’: Venice Review
Japanese maestro Hirokazu Kore-Eda opens Venice 2019 with a French curio
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Reviews
‘Pelican Blood’: Venice Review
Nina Hoss anchors this tense drama from Germany’s Katrin Gebbe which opens Venice’s Horizons sidebar
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Reviews
‘A Rainy Day In New York’: Review
In which Woody Allen carries on with the business of being Woody Allen
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Reviews
‘The County’: Review
An isolated Icelandic dairy farmer takes on a corrupt cooperative which threatens her livelihood
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Reviews
‘Cat In The Wall’: Sarajevo Review
Terrific comedy-drama from a Bulgarian directing duo is set on an East London council estate
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Reviews
‘Angel Has Fallen’: Review
The third instalment of this profitable franchise sees Gerard Butler return as the president’s weary bodyguard
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Reviews
‘Open Door’: Sarajevo Review
Sisters united in a car journey across Albania in a rare feature to emerge from that country
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Reviews
‘Immortal’: Sarajevo Review
Striking documentary from Estonia looks at the production line of model citizens in Russia’s Arctic Circle
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Reviews
‘Fire Will Come’: Review
Oliver Laxe’s prize-winning feature continues is strikingly beautiful and meditative