All Interview articles – Page 57
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FeaturesBusan shines spotlight on three Asian women filmmakers who redefined their times
Special programme ‘Gaze and Memories - Asia’s Leading Women Filmmakers’ is screening works from Yasmin Ahmad, Deepa Mehta and Trinh T Minh-ha.
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FeaturesTaiwanese filmmaker Lau Kek Huat on his feature debut ‘Boluomi’
Playing in Busan’s New Currents, the film delves into a sensitive period in Malaysian history
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![[GP] Coming Home Again 커밍 홈 어게인 감독 Wayne WANG 웨인 왕](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/7/2/1311172_gpcominghomeagainwaynewang_611344.jpg)
FeaturesBusan Q&A: Wayne Wang on ‘Coming Home Again’
Ahead of the Asian premiere in Busan, Hong Kong-born San Francisco resident and filmmaker Wayne Wang discusses his latest, low-budget film.
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FeaturesHirokazu Kore-eda on ‘The Truth’, working in France and filmmaker fatigue
The Japanese filmmaker is being honoured as Asian Filmmaker of the Year at this year’s Busan.
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NewsKen Loach warns of Brexit’s damage to filmmaking
Veteran director talks latest film ‘Sorry We Missed You’.
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FeaturesBusan Q&A: Yerlan Nurmukhambetov & Lisa Takeba, 'The Horse Thieves. Roads Of Time'
The pair’s Kazakhstan-Japan co-production opens the Busan International Film Festival.
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FeaturesTencent exec Jeff Han on launching a streaming service in Thailand
It’s the Chinese streaming platform’s first strategic foray into overseas markets
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FeaturesWhy films from the UK and Italy have caught the eye of the artistic director of FilmFest Hamburg
”I wonder if this has something to do with countries going through a crisis.” he said.
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FeaturesFernando Meirelles talks Netflix awards hopeful 'The Two Popes'
’I’m Catholic myself, but a very bad Catholic.’
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FeaturesToronto 2019 Q&A: Cornerstone Films co-founders Alison Thompson and Mark Gooder
The company’s present slate includes Gurinder Chadha’s Blinded By The Light, Bart Freundlich’s After The Wedding and Sophie Hyde’s Animals.
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FeaturesToronto 2019 Q&A: Solstice Studios’ Crystal Bourbeau on why she is optimistic about international distribution
Bourbeau joined the company in December 2018 as head of acquisitions and international.
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FeaturesToronto 2019 Q&A: Neon’s Jeff Deutchman on the company’s theatrical confidence
Neon has titles including Bong Joon Ho’s ‘Parasite’ and Céline Sciamma’s ‘Portrait Of A Lady On Fire’.
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FeaturesJustin Kurzel talks ‘True History Of The Kelly Gang’, reflects on “difficult” ‘Assassin’s Creed’
Australian director Justin Kurzel tells Screen about why he connected with ’Kelly Gang’ and upcoming Apple series ’Shantaram’.
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FeaturesAlice Winocour talks ‘Proxima’: “Cinema doesn’t often show women as both a mother and a super-heroine”
Alice Winocour talks to Screen about her Platform title Proxima, the story of an astrophysicist juggling astronaut training with bringing up her young daughter.
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FeaturesChile’s Pablo Larrain on creating an unapologetic modern heroine in ‘Ema’
The fiery, dance-obsessed mother at the heart of Pablo Larrain’s Ema had some Venice critics blushing.
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FeaturesDirectors of Venice doc ‘Woman’: “Weinstein, MeToo… we weren’t surprised when this all happened”
The documentary gives voice to 100 women from all walks of life on topics ranging from what it means to be a woman, to motherhood, marriage, education and darker subjects such as sexual violence and genital mutilation.
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Features‘Babyteeth’ director Shannon Murphy: “Most of my career I’ve been the only female”
Australian director is at Venice Film Festival this year for the world premiere of her debut feature Babyteeth.
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FeaturesVenice Critics’ Week’s Giona Nazzaro on the impact of the new wave of Italian festival curators
“Everything changed when we realised festivals actually make editorial choices discovering talents.”
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FeaturesAlex Gibney talks Venice documentary ‘Citizen K’, Putin and Trump
The filmmaker is presenting his documentary about exiled oligarch Mikhail Khodorkovsky out of competition.
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FeaturesHow Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.