All Interview articles – Page 52
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FeaturesAlice Winocour talks ‘Proxima’: “Cinema doesn’t often show women as both a mother and a super-heroine”
Alice Winocour talks to Screen about her Platform title Proxima, the story of an astrophysicist juggling astronaut training with bringing up her young daughter.
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FeaturesChile’s Pablo Larrain on creating an unapologetic modern heroine in ‘Ema’
The fiery, dance-obsessed mother at the heart of Pablo Larrain’s Ema had some Venice critics blushing.
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FeaturesDirectors of Venice doc ‘Woman’: “Weinstein, MeToo… we weren’t surprised when this all happened”
The documentary gives voice to 100 women from all walks of life on topics ranging from what it means to be a woman, to motherhood, marriage, education and darker subjects such as sexual violence and genital mutilation.
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Features‘Babyteeth’ director Shannon Murphy: “Most of my career I’ve been the only female”
Australian director is at Venice Film Festival this year for the world premiere of her debut feature Babyteeth.
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FeaturesVenice Critics’ Week’s Giona Nazzaro on the impact of the new wave of Italian festival curators
“Everything changed when we realised festivals actually make editorial choices discovering talents.”
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FeaturesAlex Gibney talks Venice documentary ‘Citizen K’, Putin and Trump
The filmmaker is presenting his documentary about exiled oligarch Mikhail Khodorkovsky out of competition.
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FeaturesHow Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.
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FeaturesAlberto Barbera talks Venice logistics, VR and his future as artistic director
Barbera has been weathering a storm over the lack of female filmmakers in Competition.
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FeaturesHow UTA’s Rena Ronson became one of international film’s biggest players
The UTA Independent Film Group co-head tells Jeremy Kay how careers are created through risk.
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NewsSarajevo Q&A: ‘Honeyland’ filmmakers on being propelled into Oscar contention
The documentary won three awards at Sundance earlier this year.
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FeaturesSarajevo Q&A: Emin Alper on how politics in Turkey shaped ‘A Tale of Three Sisters’
The film plays in Sarajevo’s competition this week.
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FeaturesInes Tanović discusses Sarajevo opener ‘The Son’: “I’ve encountered really harsh criticism”
Family drama marks Tanović’s second feature film as director.
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FeaturesSarajevo Film Festival turns 25: multiplex expansion, Oscar-winning guests and redefining Bosnia
This year’s event runs from August 16-23.
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FeaturesLocarno 2019: what to look out for in the industry programme
While her industry programme is packed, Locarno Pro head Nadia Dresti seeks to foster a less-is-more approach.
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FeaturesVenice director Alberto Barbera responds bullishly to provocative Competition selection
“I don’t have to adjust to what some countries think I should do.”
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FeaturesOdesa Q&A: How a YouTube video inspired Tymur Yashchenko's naval drama 'U-311 Cherkasy'
The film is based on a real-life siege of a Ukrainian naval vessel in 2014.
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FeaturesSeven hot titles from the 2019 New York Asian Film Festival
Opener ‘Samurai Marathon’, ‘Money’, ‘Maggie’ among highlights.
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FeaturesWhy the focus of the Odesa film festival is extending beyond Ukraine
General producer Julia Sinkevych talks to Screen.
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FeaturesNew York Asian Film Festival chief Samuel Jamier: ‘You’re only as good as the films you’re showing’
Festival to close on July 14 with The White Storm 2: Drug Lords.
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FeaturesStars of Tomorrow one-to-one: Julien Temple & Terence Dunn
Composer Terence Dunn met with veteran film and pop-video director Julien Temple, whose music-film collaborators include the Rolling Stones and the Sex Pistols.