Latest – Page 148
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Reviews
‘Hokusai’: Tokyo Review
Expansive biopic of Katsushika Hokusai, Japan’s most influential artist
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Reviews
‘Unidentified’: Thessaloniki Review
A dark, propulsive thriller about corruption and racism in Romania’s police force
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Reviews
‘Amercement’: Thessaloniki Review
A small-time drug dealer in the outskirts of Athens gets a shot at a new life in this morality tale by Fokion Bogris
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Reviews
‘Freaky’: Review
Body-swap comedy/horror from producer Jason Blum and director Christopher Landon starring Vince Vaughn
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Reviews
‘My Dear Spies’: Doclisboa Review
Two grandsons try to decipher their family’s suspicious Cold War past
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Reviews
‘The Whaler Boy’: Thessaloniki Review (opening film)
Internet arrives in a far-fung corner of the Tundra, bringing with it an intense longing for another life
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Reviews
'February': Tokyo Review
A sensitive portrait of a Bulgarian shepherd at key moments in his life
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Reviews
‘The Bike Thief’: Tokyo Review
A Romanian pizza delivery driver scours London’s streets for his stolen moped
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Reviews
‘Mr. Suzuki - A Man In God’s Country’: Tokyo Review
In a dystopian Japan, a single woman attempts to find a partner and avoid the persecution of society
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Reviews
‘Come And Go’: Tokyo Review
Lim Kah Wai’s latest flm presents a textured mosaic of life in present-day Osaka
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Reviews
‘The Old Town Girls’: Tokyo Review
Source: Tokyo International Film Festival ‘The Old Town Girls’
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Reviews
‘Considering The Ends’: DOK Leipzig Review
A French shepherdess contemplates the lives - and deaths - of her herd of sheep
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Reviews
‘Underdog’: Tokyo Review
Masaharu Take’s Tokyo opener is the epic portrait of a boxer trying to recapture his former glory
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Reviews
‘Truth Or Consequences’: DOK Leipzig Review
Hannah Jayanti explores a New Mexico community in rhythmic stasis
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Reviews
‘Tigers’: Busan Review
A rivetting look at the price of sporting fame from Sweden’s Ronnie Sandahl
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Reviews
‘The Life Ahead’: Review (Netflix)
Sophia Loren unites with her son Edoardo Ponti to deliver a tearjerker for Netflix
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Reviews
‘Roman’s Childhood’: DOK Leipzig Review
Documentary about a Lithuanian family in straitened circumstances is unexpectedly uplifting