Latest – Page 10
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Reviews
‘Farewell, My Hometown’: Busan Review
Three generations of Chinese women talk about their lives in Er Zhuo Wang’s fiction-documentary hybrid
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Reviews
‘24’: Busan Review
Royston Tan’s latest art-house charmer follows a sound engineer on a journey across 24 different environments
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Reviews
‘Gensan Punch’: Busan Review
Brillante Ma Mendoza’s latest follows an aspiring boxer who refuses to let disability define him
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Reviews
‘Memoryland’: Busan Review
Kim Quy Bui’s beautifully composed sophomore feature explores attitudes about death in Vietnam
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Reviews
‘The Apartment With Two Women’: Busan Review
Kim Se-in’s unflinching debut chronicles a mother and daughter at war
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Reviews
‘The Absent Director’: Busan Review
An audacious single-shot drama that follows an Iranian theater company staging an experimental ‘Macbeth’
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Reviews
‘Asteroid’: Busan Review
Mehdi Hoseinivand Aalipour’s affectionate first film observes the tender bonds of one Iranian family
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Reviews
‘Seire’: Busan Review
A disorienting, accomplished psychological drama about a new father grappling with superstition and guilt
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Reviews
’Photocopier’: Busan Review
A compelling tech-thriller about a computing student getting to the bottom of what happened to her last night at a party
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Reviews
‘Missing’: Busan Review
A bereft widower pursues a serial killer in Katayama Shinzo’s ambitious second feature
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Reviews
‘Heaven: To The Land Of Happiness’: Busan Review (opening film)
An amiable, ambling odd-couple comedy from South Korean auteur Im Sang-Soo
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Reviews
‘Yuni’: Toronto Review
Kamila Andini’s Indonesian feature wins the coveted Platform prize at Tiff 2021
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Reviews
‘Inu-Oh’: Venice Review
Strikingly original anime from Masaaki Yuasa set in 14th Century Japan
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Reviews
‘The Power Of The Dog’: Venice Review
A powerful turn from Benedict Cumberbatch anchors Jane Campion’s prairie-set period drama
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Reviews
‘Karmalink’: Venice Review
Jake Wachtel makes his feature debut with this imaginative Buddist sci-fi set in Cambodia’s Pnom Penh
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Reviews
‘Shen Kong’: Venice Review
Venice Days opener from Macao is a wayward lockdown romance which takes place in an unidentifed east Asian city
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Reviews
‘Vengeance Is Mine, All Others Pay Cash’: Locarno Review
Indonesian auteur Edwin adapts Eka Kurniawan’s free-wheeling novel for the big scree
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Reviews
‘The Devil’s Deal’: Fantasia Review
Lee Won-tae’s twisty thriller relishes the wickedness of its amoral characters
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Reviews
‘Spiritwalker’: Review
Body-swap thriller from Yoon Jae-keun get its premiere at the New York Asian Film Festival
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Reviews
‘Cousins’: Review
A sweeping story set in New Zealand’s Maori community should bed in well at Netflix