Latest – Page 42
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Reviews‘Give Me Pity!’: Rotterdam Review
Sophie von Haselberg shines bright in this lurid picture of stardom undone which forms part of Rotterdam’s focus on Amanda Kramer
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Reviews‘EAMI’: Rotterdam Review
A work of respectful ethnography into the culture of a Paraguayan forest-dwelling tribe takes home the Tiger in 2022
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Reviews‘Please Baby Please’: Rotterdam Review
Amanda Kramer’s genderqueer underworld odyssey opens Rotterdam’s second online edition
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Reviews‘Splendid Isolation’: Rotterdam Review
Inspired by the Covid-19 pandemic, Urszula Antoniak explores the power of human connection
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Reviews‘Met Mes’: Rotterdam Review
Sam de Jong’s third feature uses a colourful coat of irony to explore peer pressure
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Reviews‘The Plains’: Rotterdam Review
A middle-aged Melbourne lawyer’s daily commute proves a fascinating docu/fiction hybrid
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Reviews‘Klondike’: Sundance Review
Husband and wife clash in the wreckage on war-torn Ukrainian/Russian border
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Reviews‘The Exam’: Red Sea Review
Shawkat Amin Korki’s taut drama concerns a young woman who risks everything to ensure she passes her exams
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Reviews‘Broken Keys’: Red Sea Review
Jimmy Keyrouz’s impressive debut feature chronicles the horrors of war-torn Syria
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Reviews‘Daughters of Abdul-Rahman’: Cairo/Red Sea Review
Squabbling sisters try to find their way in Jordan’s all-powerful patriarchy
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Reviews‘Farha’: Red Sea Review
Darin J. Sallam delivers a harrowing debut in this portrait of a Palestinian woman hiding out from Israeli forces
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Reviews‘Communion’: Red Sea Review
Writer-director Nejib Belkadhi stars as a man battling mental illness in the midst of the Covid-19 lockdown
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Reviews‘Paka (River Of Blood)’: Red Sea Review
A long-standing blood feud between rival families gets reignited in this savage, vividly realised tale
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Reviews‘The Sea Ahead’: Red Sea Review
Ely Dagher’s striking first feature is a poetic look at a woman who returns home, finding a city she no longer recognises
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Reviews‘Abu Saddam’: Cairo Review
A veteran trucker and his assistant deliver a powerful portrayal of toxic masculinity for Egyptian director and co-writer Nadine Khan
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Reviews‘Becoming’: Cairo/Red Sea Review
All-female anthology takes a sparky driver’s seat approach to life in the Kingdom of Saudi Arabia
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Reviews‘The Stranger’: Cairo Review
Palestine’s submission to the international Oscar category is set in the disputed Golan Heights
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Reviews‘Dear Thomas’: Tallinn Review
Black and white portrait of the East German man of letters Thomas Brasch wins the top prize at the Black Nights Film Festival