Latest – Page 229
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FeaturesSpain box office report 2017: 19 local films pass €1m mark
Hollywood regained its box-office crown, but local titles made inroads.
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FeaturesGermany box office report 2017: A successful year powered by local comedy
Germany’s performance outstripped the market, with Suck Me Shakespeer a huge local hit.
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FeaturesFrance box office report 2017: 'Valerian' success, admissions decline
A typical year at the French box office saw success for Luc Besson, Dany Boon and Hollywood animation.
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Features'BPM' director Robin Campillo talks inspiration behind Aids drama
Robin Campillo’s own Aids activism informed his Oscar hopeful BPM (Beats Per Minute).
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FeaturesDubai Film Festival one on one: Yaser Al Neyadi talks 'The Watermelon Club'
Emirati filmmaker talks to William Mullally about shooting on a micro-budget.
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FeaturesChristopher Nolan explains why 'Dunkirk' was a gamble that required a "leap of faith"
Dunkirk could be the film that finally earns Christopher Nolan an Oscar nomination for directing.
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FeaturesDubai Film Festival one on one: Morgan Spurlock talks 'Super Size Me 2: Holy Chicken!'
The US filmmaker talks to Kaleem Aftab about how the food industry reacted to his award-winning doc Super Size Me.
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FeaturesCan Palestine ever create its own film industry?
Melanie Goodfellow looks at the impact of several new initiatives that aim to get a better deal for Palestinian filmmakers scattered around the world
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FeaturesDubai Film Festival one on one: Lynne Ramsay talks 'You Were Never Really Here'
UK writer-director Lynne Ramsay tells Kaleem Aftab about why her first film for six years subverts audience expectations.
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FeaturesDubai Film Festival one on one: Dipesh Jain talks 'In The Shadows'
Dipesh Jain talks to Liz Shackleton about shooting In The Shadows in the walled city of Old Delhi.
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Features'Foxtrot' director: 'we need to provoke and inspire discussion'
Screen talks to director Samuel Maoz and star Lior Ashkenazi.
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FeaturesHow the high-end TV boom has reached the Middle East
The boom in high-end TV has reached the Middle East, where both original content and local versions of international dramas are in demand.
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FeaturesDubai Film Festival one on one: Nujoom Alghanem talks 'Sharp Tools'
The Emirati filmmaker talks about honoring the late artist Hassan Sharif.
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FeaturesDubai Film Festival one on one: Kamila Andini talks 'The Seen And Unseen'
Kamila Andini tells Liz Shackleton about the local culture behind children’s fable The Seen And Unseen.
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FeaturesDubai Film Festival one on one: Jonas Carpignano talks 'A Ciambra'
Writer-director Jonas Carpignano says the Italian shoot for coming-of-age tale A Ciambra was as intense off-screen as it was on.
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Features'Loveless' director Andrey Zvyagintsev talks politics and piracy
With Leviathan and his latest film Loveless, Andrey Zvyagintsev holds up a mirror to contemporary Russian society.
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FeaturesDubai Film Festival one on one: Nabil Ayouch talks 'Razzia'
Franco-Moroccan filmmaker Nabil Ayouch tells Melanie Goodfellow how his latest work Razzia grew out of controversy around his last film Much Loved.
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FeaturesGuillermo del Toro on how 'The Shape Of Water' reflects today's "casual racism and sexism"
Period fantasy is a leading contender for awards.
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FeaturesWhat's next for curated film platform MUBI?
CEO Efe Cakarel is aiming high with his first multi-territory studio deal signed.
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FeaturesArab Talent Focus: Will Disney’s 'Aladdin' open doors for Arab actors in Hollywood?
The Arab industry is hoping Walt Disney’s live-action production of Aladdin is its flying carpet to a whole new world of opportunity and screen identity in Hollywood.