All Q&A articles – Page 7
-
FeaturesAFM 2019 Q&A: Saban Films’ Bill Bromiley on why “distribution-agnostic approach” works today
”Our business model relies on revenues outside of the traditional theatrical model.”
-
FeaturesAFM 2019 Q&A: Bleiberg Entertainment’s Nick Donnermeyer on why “it’s not just about that first sale”
Executive talks markets, strategy shifts, production mandate.
-
FeaturesBusan Q&A: Yerlan Nurmukhambetov & Lisa Takeba, 'The Horse Thieves. Roads Of Time'
The pair’s Kazakhstan-Japan co-production opens the Busan International Film Festival.
-
FeaturesToronto 2019 Q&A: Cornerstone Films co-founders Alison Thompson and Mark Gooder
The company’s present slate includes Gurinder Chadha’s Blinded By The Light, Bart Freundlich’s After The Wedding and Sophie Hyde’s Animals.
-
FeaturesToronto 2019 Q&A: Solstice Studios’ Crystal Bourbeau on why she is optimistic about international distribution
Bourbeau joined the company in December 2018 as head of acquisitions and international.
-
FeaturesToronto 2019 Q&A: Neon’s Jeff Deutchman on the company’s theatrical confidence
Neon has titles including Bong Joon Ho’s ‘Parasite’ and Céline Sciamma’s ‘Portrait Of A Lady On Fire’.
-
FeaturesHow Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.
-
NewsSarajevo Q&A: ‘Honeyland’ filmmakers on being propelled into Oscar contention
The documentary won three awards at Sundance earlier this year.
-
FeaturesSarajevo Q&A: Emin Alper on how politics in Turkey shaped ‘A Tale of Three Sisters’
The film plays in Sarajevo’s competition this week.
-
FeaturesInes Tanović discusses Sarajevo opener ‘The Son’: “I’ve encountered really harsh criticism”
Family drama marks Tanović’s second feature film as director.
-
FeaturesOdesa Q&A: How a YouTube video inspired Tymur Yashchenko's naval drama 'U-311 Cherkasy'
The film is based on a real-life siege of a Ukrainian naval vessel in 2014.
-
FeaturesOdesa Q&A: 'Eastman' director Andy Iva on portraying war through the eyes of ordinary soldiers
Iva’s film has its world premiere at Odesa Film Festival this month.
-
FeaturesGrant Heslov on why TV was the perfect format for 'Catch 22'
Smokehouse chief speaks to Screen about the daunting task of bringing Joseph Heller’s satirical novel to life.
-
Features'Bohemian Rhapsody' production designer discusses his career ahead of Media Production Show
The 2019 Media Production Show is on June 11-12 in London.
-
Features'The Cordillera Of Dreams' director Patricio Guzmán discusses the new generation of documentary filmmakers
Guzmán’s film plays in official selection as a Special Screening.
-
FeaturesQ&A: Anna Croneman, Head of drama, SVT
Croneman’s credits as producer include Emmy-nominated ‘Kronprinsessan’.
-
FeaturesQ&A: Piers Wenger, controller of drama commissioning, BBC
Upcoming BBC commissions including ‘A Suitable Boy’ and ‘Dark Mon£y’.
-
FeaturesQ&A: Fabrice de la Patelliere, Head of drama, Canal Plus
Canal Plus’ Creation Originale label has worked on ‘Versailles’ and ‘The Bureau’.
-
FeaturesQ&A: Heike Hempel, Deputy director of programmes, ZDF
Heike has produced TV movies including ‘Dresden’ and ‘Generation War’.
-
FeaturesQ&A: Fernando Lopez Puig, Head of drama, Radio Television Espanola
Lopez was recently promoted to RTVE head of content, channels and production.