All Q&A articles – Page 6
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FeaturesMy Screen Life: Alexander Rodnyansky, producer
Leading Russian independent producer discusses his morning routine, professional mistakes, and love for David Fincher.
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FeaturesAFM Q&A: See-Saw Films’ Simon Gillis on why star-led projects are still key
Simon Gillis, COO at See-Saw Films, on working with Netflix and the star system is alive and well.
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FeaturesAFM 2019 Q&A: Saban Films’ Bill Bromiley on why “distribution-agnostic approach” works today
”Our business model relies on revenues outside of the traditional theatrical model.”
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FeaturesAFM 2019 Q&A: Bleiberg Entertainment’s Nick Donnermeyer on why “it’s not just about that first sale”
Executive talks markets, strategy shifts, production mandate.
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FeaturesBusan Q&A: Yerlan Nurmukhambetov & Lisa Takeba, 'The Horse Thieves. Roads Of Time'
The pair’s Kazakhstan-Japan co-production opens the Busan International Film Festival.
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FeaturesToronto 2019 Q&A: Cornerstone Films co-founders Alison Thompson and Mark Gooder
The company’s present slate includes Gurinder Chadha’s Blinded By The Light, Bart Freundlich’s After The Wedding and Sophie Hyde’s Animals.
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FeaturesToronto 2019 Q&A: Solstice Studios’ Crystal Bourbeau on why she is optimistic about international distribution
Bourbeau joined the company in December 2018 as head of acquisitions and international.
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FeaturesToronto 2019 Q&A: Neon’s Jeff Deutchman on the company’s theatrical confidence
Neon has titles including Bong Joon Ho’s ‘Parasite’ and Céline Sciamma’s ‘Portrait Of A Lady On Fire’.
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FeaturesHow Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.
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NewsSarajevo Q&A: ‘Honeyland’ filmmakers on being propelled into Oscar contention
The documentary won three awards at Sundance earlier this year.
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FeaturesSarajevo Q&A: Emin Alper on how politics in Turkey shaped ‘A Tale of Three Sisters’
The film plays in Sarajevo’s competition this week.
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FeaturesInes Tanović discusses Sarajevo opener ‘The Son’: “I’ve encountered really harsh criticism”
Family drama marks Tanović’s second feature film as director.
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FeaturesOdesa Q&A: How a YouTube video inspired Tymur Yashchenko's naval drama 'U-311 Cherkasy'
The film is based on a real-life siege of a Ukrainian naval vessel in 2014.
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FeaturesOdesa Q&A: 'Eastman' director Andy Iva on portraying war through the eyes of ordinary soldiers
Iva’s film has its world premiere at Odesa Film Festival this month.
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FeaturesGrant Heslov on why TV was the perfect format for 'Catch 22'
Smokehouse chief speaks to Screen about the daunting task of bringing Joseph Heller’s satirical novel to life.
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Features'Bohemian Rhapsody' production designer discusses his career ahead of Media Production Show
The 2019 Media Production Show is on June 11-12 in London.
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Features'The Cordillera Of Dreams' director Patricio Guzmán discusses the new generation of documentary filmmakers
Guzmán’s film plays in official selection as a Special Screening.
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FeaturesQ&A: Fernando Lopez Puig, Head of drama, Radio Television Espanola
Lopez was recently promoted to RTVE head of content, channels and production.
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FeaturesQ&A: Heike Hempel, Deputy director of programmes, ZDF
Heike has produced TV movies including ‘Dresden’ and ‘Generation War’.
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FeaturesQ&A: Fabrice de la Patelliere, Head of drama, Canal Plus
Canal Plus’ Creation Originale label has worked on ‘Versailles’ and ‘The Bureau’.