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All Q&A articles – Page 6
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FeaturesFrontières head Annick Mahnert on virtual event, supporting marginalised voices
”There’s a bit of everything this year, but I’m happy we don’t only have typical horror stories or slasher films.”
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FeaturesHead of Canada's producers association on charting a course through the pandemic
“This crisis is going to pay long-term dividends in terms of the willingness by the entire industry to collaborate on issues of common interest.”
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FeaturesHot Docs market team reflects on online pivot, early delegate response
Keynote speech Why Art Matters In A Time Of Crisis most viewed piece of content to date.
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NewsMelbourne artistic director Al Cossar talks virtual 68 ½ edition
Festival exec talks MIFF’s first virtual edition and the impact of Cannes’ postponement.
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Features“The landscape for horror is changing”: Natalie Erika James on debut feature ‘Relic’
Executive producers on the film include Jake Gyllenhaal and the Russo brothers.
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NewsGlasgow Film Festival co-chief talks hidden gems, surprise guests and 2021 plans
Allan Hunter reflects on the 16th edition.
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NewsCurzon CEO Philip Knatchbull talks ‘Parasite’ UK release strategy (exclusive)
Curzon boss discusses Studiocanal partnership, breaking from day-and-date release strategy and what it might mean for the future.
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Features“They laughed at me because I loved ‘Pretty Woman’: ‘Parasite’ producer Kwak Sin Ae on her early film loves
Screen Life: The producer of ‘Parasite’ talks about her life in the film industry.
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FeaturesOscar committee co-chairs explain the international category name change
Larry Karaszewski and Diane Weyermann are in their second year at the helm.
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NewsCamerimage director Marek Zidowicz on returning to Torun and the future of the festival
The festival says is has secured $160m in state and regional support.
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FeaturesMy Screen Life: Alexander Rodnyansky, producer
Leading Russian independent producer discusses his morning routine, professional mistakes, and love for David Fincher.
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FeaturesAFM Q&A: See-Saw Films’ Simon Gillis on why star-led projects are still key
Simon Gillis, COO at See-Saw Films, on working with Netflix and the star system is alive and well.
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FeaturesAFM 2019 Q&A: Saban Films’ Bill Bromiley on why “distribution-agnostic approach” works today
”Our business model relies on revenues outside of the traditional theatrical model.”
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FeaturesAFM 2019 Q&A: Bleiberg Entertainment’s Nick Donnermeyer on why “it’s not just about that first sale”
Executive talks markets, strategy shifts, production mandate.
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FeaturesBusan Q&A: Yerlan Nurmukhambetov & Lisa Takeba, 'The Horse Thieves. Roads Of Time'
The pair’s Kazakhstan-Japan co-production opens the Busan International Film Festival.
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FeaturesToronto 2019 Q&A: Cornerstone Films co-founders Alison Thompson and Mark Gooder
The company’s present slate includes Gurinder Chadha’s Blinded By The Light, Bart Freundlich’s After The Wedding and Sophie Hyde’s Animals.
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FeaturesToronto 2019 Q&A: Solstice Studios’ Crystal Bourbeau on why she is optimistic about international distribution
Bourbeau joined the company in December 2018 as head of acquisitions and international.
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FeaturesToronto 2019 Q&A: Neon’s Jeff Deutchman on the company’s theatrical confidence
Neon has titles including Bong Joon Ho’s ‘Parasite’ and Céline Sciamma’s ‘Portrait Of A Lady On Fire’.
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FeaturesHow Billie Piper tried to "reimagine" a British style for Venice title 'Rare Beasts'
Piper’s filmmaking debut has its world premiere on August 31.
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NewsSarajevo Q&A: ‘Honeyland’ filmmakers on being propelled into Oscar contention
The documentary won three awards at Sundance earlier this year.