All articles by Wendy Ide, Senior international critic – Page 32
-
-
Reviews‘Our Memory Belongs To Us’: CPH:DOX Review
Three exiled Syrian journalists reunite to watch footage from the beginning of the revolution
-
Reviews‘When A City Rises’: CPH:DOX Review
Thrilling, immersive documentary about the Hong Kong pro-democracy protests
-
Reviews‘The Moon Represents My Heart’: Visions du Reel Review
Personal history and fictional elements interweave in a filmmaker’s quest to learn about his murdered father
-
Reviews‘Users’: Visions du Reel Review
An anxious investigation into how technological advancement may affect our children
-
![Paul Dood's Deadly Lunch Break 2[15034]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/4/0/2/1342402_pauldoodsdeadlylunchbreak215034_812537.jpg)
Reviews‘Paul Dood’s Deadly Lunch Break’: SXSW Review
A hapless outsider dreams of celebrity in Nick Gillespie’s broad black British comedy
-
Reviews‘Here Before’: SXSW Review
Andrea Riseborough stars in Stacey Gregg’s supernatural-themed debut
-
Reviews‘Rebel Dykes’: Flare Review
Riotous look back at an underground 1980s movement which ‘terrified straight mainstream society’
-
Reviews‘My First Summer’: Flare Review
A sheltered teenager comes to life after a tragic incident in this candyfloss Australian debut
-
FeaturesEllen Burstyn talks Scorsese, industry changes and 'Pieces Of A Woman's explosive climax
Now in her seventh decade as a screen actor, six-time Oscar nominee Ellen Burstyn is respected for her talent, dedication and instinct for powerfully dramatic roles. Screen talks to her about the fierce - but loving - matriarch in Pieces Of A Woman
-
Reviews‘Just 1 Day’: Dublin Review
Screenwriter Erica Li makes her directorial debut with Chris Doyle behind the lens
-
Reviews‘La Mif’ (‘The Fam’): Berlin Review
An ’empathetic and authentic’ drama set inside a Swiss residential care home for girls wins top prize at Generation 14+
-
-
Reviews‘Petite Maman’: Berlin Review
Celine Sciamma explores fragile mother-daughter bonds in this delicate feature
-
Reviews'Azor': Berlin Review
A prickly financial thriller set in the murky world of Argentina’s ultrawealthy
-
Reviews‘The World After Us’: Berlin Review
A strugging writer in Paris is the subject of this perceptive first feature from Louda Ben Salah-Cazanas
-
-
FeaturesHow Sidney Flanigan got in the headspace for ‘Never Rarely Sometimes Always’
”Eliza [Hittman] would be off-screen saying things like, ‘Push your hair behind your ear’.”
-
Reviews‘Tides’: Berlin Review
Switzerland’s Tim Fehlbaum makes an unearthly impression in his second feature
-
Reviews‘I’m Your Man’: Berlin Review
A rich, provocative drama from ’Unorthodox’’s Maria Schrader plays in Competition