![[Clockwise from top left]: Paul Thomas Anderson, Chloe Zhao, Ryan Coogler, Park Chan-wook](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/9/0/0/1467900_writerdirectors_192733.jpg)
AFM Features – Page 4
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FeaturesEuropean sellers discuss AFM, hybrid realities and a brighter 2021
From tying up deals during AFM to looking ahead to a brighter 2021, European sellers are adapting to a new hybrid world.
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FeaturesWhy a new relationship with public funding is boosting the Russian film industry
Exhibitors are looking for a lucrative January to make up for the losses of 2020.
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FeaturesAnton’s John Zois on production plans, the market, distribution
The LA-based executive has shepherded projects including ’Greenland’ into production.
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FeaturesAFM 2020: The buzz titles from China and Hong Kong
The latest from Fruit Chan and Oxide Pang join the crop of action titles, creature features and crime sequels from Hong Kong and China.
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FeaturesUK sales executives on surviving 2020, virtual market pros and cons, and Brexit nerves
”Every time I attend Cannes I make money. It is expensive going to Cannes, Toronto afundnd AFM but it’s a business.”
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FeaturesAFM 2020: The buzz titles from Korea
Titles include Seo You-min’s myster thriller ‘Recalled’.
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FeaturesAFM 2020: The buzz titles from North America
Titles include Revolver, Universe’s Most Wanted, Good Joe Bell, Zeros And Ones.
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FeaturesAFM 2020: The buzz titles from the UK
Titles include Ben Wheatley’s topical virus horror ’In The Earth’.
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FeaturesAFM 2020 preview: Indies get resourceful to survive virus crisis
Screen reports on the North American market ahead of the online AFM.
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FeaturesMy Screen Life: Alexander Rodnyansky, producer
Leading Russian independent producer discusses his morning routine, professional mistakes, and love for David Fincher.
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FeaturesAFM Q&A: See-Saw Films’ Simon Gillis on why star-led projects are still key
Simon Gillis, COO at See-Saw Films, on working with Netflix and the star system is alive and well.
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FeaturesAFM 2019 Q&A: Saban Films’ Bill Bromiley on why “distribution-agnostic approach” works today
”Our business model relies on revenues outside of the traditional theatrical model.”
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FeaturesAFM 2019: the buzz titles from Taiwan
A ghostly bridge, a notorious gangster - and Asia’s first iPhone feature.
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FeaturesAFM 2019: The buzz titles from Japan
A malevolent artificial intelligence, comic samurais and the courageous workers of Fukushima nuclear plant all rub shoulders on the latest slate of titles from Japan.
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FeaturesAFM 2019 Q&A: Bleiberg Entertainment’s Nick Donnermeyer on why “it’s not just about that first sale”
Executive talks markets, strategy shifts, production mandate.