Latest – Page 170
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FeaturesJapan’s Nippon TV taps into global demand for female-oriented dramas
Japanese broadcaster Nippon TV has found a global groove selling scripted formats for social-issue dramas.
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FeaturesWhy Element Pictures adapted ‘Normal People’ as a TV series rather than a film
Screen speaks to Element Pictures’ Ed Guiney and director Lenny Abrahamson.
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Features“We used burner phones and burner computers”: Alex Gibney on shooting ‘Citizen K’ in Russia
‘Citizen K’ is one of two films by Gibney screening at CPH:DOX
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![DERBY GIRL - FETE -54- Visuel validé - (c) Emmanuel Guimier - copie[4]](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/0/9/1322009_derbygirlfete54visuelvalidcemmanuelguimiercopie4_578089.jpg)
FeaturesEuropean broadcasters take on streaming giants by targeting youth audiences
Screen profiles five of these top broadcasters on their youth segment.
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Features’The Fight For Greenland’ director on how a digital CPH:DOX has supported his feature debut
“If a Greenlander cannot see himself or herself in this film, I’ve failed.”
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FeaturesMy Working From Home Life: Organic managing director Caragh Cook
”Organic has a very active WhatsApp group.”
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FeaturesHow independent TV studios are thriving in a fractured market
The boom in scripted series has created ample opportunity for independent television studios operating in Hollywood.
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Features‘Deutschland 83’ co-creator Anna Winger on her new Netflix series ‘Unorthodox’
Unorthodox is about a young woman who rejects her life and marriage in the Satmar Hasidic Jewish community of New York to start again among the millennials of multi-cultural Berlin.
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FeaturesMy Working From Home Life: Jon Wardle, director of the UK’s National Film & Television School
”My two-year old is now a regular contributor to my meetings with colleagues.”
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FeaturesHow the international film industry is providing creative, financial and social support through the Covid-19 crisis
A huge variety of individuals and organisations are mobilising to provide global support.
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FeaturesMy Working From Home Life: AGC Studios’ Stuart Ford
”The shut-down is just another challenge of the many we have already faced.”
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FeaturesThe Centrepiece interview: Studiocanal UK’s Nicola Shindler on swimming against the tide from TV to film
Shindler is also head of her own TV production company, Red.
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FeaturesHow the UK film and TV sectors will remain fully open for business after Brexit
The British Film Institute and British Film Commission are in Berlin to reassure the international screen industries.
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FeaturesWhat European TV producers and broadcasters are learning from the Nordic model
Smaller Nordic nations have pooled funding to make productions happen.
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FeaturesMy Working From Home Life: Voltage Pictures’ Jonathan Deckter
“It’s nice to have three meals a day with my family.”
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FeaturesWho are the next generation of UK film awards contenders?
The UK has an ever-growing pool of skilled filmmakers across every sector.
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FeaturesHow might the international film festival circuit be transformed by the Covid-19 crisis?
“The festival circuit is engorged. This could be the spark that prompts change.”
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FeaturesFirst Look: ‘Peninsula’, Yeon Sang-ho’s follow-up to ‘Train To Busan’ (exclusive)
Already a hit with buyers, the zombie thriller unfolds four years after the original.
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FeaturesComment: “The bounce-back, when it comes, is likely to be fast-moving”
Nia Daniels, editor at KFTV and The Knowledge, believes that behind the scenes there are reasons to be cheerful for the screen sector.
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FeaturesHow Series Mania is aiming to keep its industry section going this year
Laurence Herszberg tells Screen about her efforts to keep the event’s industry activities alive in the face of the coronavirus outbreak.