All articles by Wendy Ide, Senior international critic – Page 26
-
Reviews‘Nana: Before, Now & Then’: Berlin Review
Kamila Andini’s fourth feature is a melancholy drama set during the Indonesian communist purge of the 1960s
-
Reviews‘This Much I Know To Be True’: Berlin Review
Back to stripped-down basics with Nick Cave and his long-term visual collaborator Andrew Dominik
-
Reviews‘Everything Will Be OK’: Berlin Review
Rithy Panh’s iconic figurines imagine an overthrow of the human race with little hope for the future
-
Reviews‘Flux Gourmet’: Berlin Review
Peter Strickland’s new absurdist drama of sonic caterers in artistic residence is his funniest yet
-
Reviews‘Beautiful Beings’: Berlin Review
Gudmundur Arnar Gudmundsson’s sophomore Icelandic feature finds tenderness in a cruel adolescent world
-
Reviews‘Nobody’s Hero’: Berlin Review
Alain Guiraudie’s tale of terrorism marks a tonal shift that favours stereotypes over satire
-
FeaturesBerlin 2022: Screen’s guide to the Special, Forum and Generation titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time
-
FeaturesBerlin 2022: Screen’s guide to the Panorama titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time.
-
FeaturesBerlin 2022: Screen’s guide to the Encounters titles
Screen profiles the Competition, Encounters, Panorama and Specials strands.
-
FeaturesBerlin 2022: Screen’s guide to the Competition titles
The Competition line-up includes new titles by Claire Denis, Phyllis Nagy, Rithy Panh, Hong Sangsoo, Francois Ozon and Denis Côté.
-
-
Reviews‘Give Me Pity!’: Rotterdam Review
Sophie von Haselberg shines bright in this lurid picture of stardom undone which forms part of Rotterdam’s focus on Amanda Kramer
-
Reviews‘Please Baby Please’: Rotterdam Review
Amanda Kramer’s genderqueer underworld odyssey opens Rotterdam’s second online edition
-
Reviews‘Met Mes’: Rotterdam Review
Sam de Jong’s third feature uses a colourful coat of irony to explore peer pressure
-
Reviews‘The Exiles’: Sundance Review
Sundance winner reunites veteran documentary filmmaker Christine Choy with the Tiananmen Square protest leaders
-
Reviews‘Sharp Stick’: Sundance Review
Lena Dunham shows she hasn’t mellowed in the frustratingly-uneven ’Sharp Stick’
-
Reviews‘Summering’: Sundance Review
Sundance regular James Ponsoldt returns with a female-led coming-of-age drama
-
Reviews‘Good Luck To You Leo Grande’: Sundance Review
Emma Thompson leads sexual empowerment comedy drama to unsatisfying ends.
-
Reviews‘Framing Agnes’: Sundance Review
Reframing trans history as a community conversation via ‘chat show’ device
-
Reviews‘Speak No Evil’: Sundance Review
Disturbing psychological horror from Denmark wittily undermines genre tropes















