Latest – Page 46
-
Reviews‘Concrete Cowboy’: Toronto Review
Idris Elba takes the reins in this story of an inner-city riding school in Philadelphia
-
Reviews‘Beans’: Toronto Review
Tracey Deer’s impressive debut captures the Mohawk people of Canada at a time of crisis
-
Reviews‘MLK/FBI’: Toronto Review
Some sobering truths on how an American hero was treated during his own lifetime
-
Reviews‘Shadow In The Cloud’: Toronto Review
Chloe Grace Moretz headlines this pulpy US/NZ Midnight Madness feature
-
Reviews‘Pieces Of A Woman’: Venice Review
Vanessa Kirby’s star continues to rise with an intense performance of a bereaved young mother in Kornel Mundroczo’s English-language debut
-
Reviews‘New Order’: Venice Review
Michel Franco’s dystopian howl is dynamic cinema which takes no prisoners
-
Reviews‘Nomadland’: Venice Review
Starring Frances McDormand, Chloe Zhao’s poetic migrant worker drama holds a mirror to society
-
Reviews‘Crazy, Not Insane’: Venice Review
Alex Gibney’s fascinating doc tells of a career spent entirely on the examination of serial killers
-
Reviews‘The Devil All The Time’: Review
Tom Holland, Robert Pattinson star in Antonio Campos’s grim Netflix thriller
-
-
-
-
Reviews‘City Hall’: Venice Review
Master documentarian Fredrick Wiseman takes the pulse of a nation as he surveys the city of Boston
-
Reviews‘Hopper/Welles’: Venice Review
An intimate, revealing interview piece highly recommended to either legend’s fans
-
Reviews‘One Night In Miami’: Venice Review
Regina King adapts the award-winning stage play by Kemp Powers
-
Reviews‘The World To Come’: Review
A friendship blossoms into love in Mona Fastvold’s powerful period drama
-
Reviews‘Mainstream’: Venice Review
Gia Coppola returns after Palo Alto with an abrasive ode to You Tuber culture starring Andrew Garfield
-
Reviews‘Mulan’: Review
Long delayed, much anticipated, Disney’s live-action epic is now going directly into homes
-
Reviews‘I’m Thinking Of Ending Things’: Review
Charlie Kaufman’s Netflix film is ’an adventurous study of depression and anxiety that also makes room for a musical number’
-
Reviews‘Come True’: Fantasia Review
Anthony Scott Burns impresses with his follow-up to ‘Our House’