Latest – Page 17
-
Reviews
‘You Resemble Me’: Venice Review
Spike Lee and Jonze produce this debut, hybrid feature about the the French radical Islamist Hasna Ait Boulahcen
-
Reviews
‘Happening’: Venice Review
A young French student grows increasingly desperate to secure a backstreet abortion in Audrey Diwan’s harrowing drama
-
Reviews
‘Il Buco’: Venice Review
Michelangelo Frammartino continues his exploration of cinema in Italy’s farflung outposts, this time Calabria of 1961
-
Reviews
‘True Things’: Venice Review
Ruth Wilson and Tom Burke star in Harry Wootlif’s audacious follow-up to ‘Only You’
-
Reviews
‘Madeleine Collins’: Venice Review
Virginie Efira stars in this spider’s web of a film about a woman leading a seemingly impossible double life
-
Reviews
‘Full Time’: Venice Review
Laure Calamy races against the clock in this grippingly tense French drama from Eric Gavel
-
Reviews
‘The Lost Daughter’: Venice Review
Maggie Gyllenhall’s directorial debut stars Olivia Colman in another tour-de-force performance
-
Reviews
‘Parallel Mothers’: Venice Review
Pedro Almodovar and Penelope Cruz open the 78th Venice Film Festival with a powerful story of loss and remembrance
-
Reviews
‘Sava’: Sarajevo Review
Matthew Somerville tracks the mighty river over its full course of almost a thousand kilometres
-
Reviews
’Shooting For Mirza’: Sarajevo Review
A son traces the life of his basketball legend father in this bio-doc of Mirza Delibasic
-
Reviews
‘Soul Of A Beast’: Locarno Review
Early fatherhood and doomed young love are at the centre of Lorenz Merz’s ‘assaultively stylish’ Zurich-based drama
-
Reviews
‘Hinterland’: Locarno Review
Back to Vienna of old with Stefan Ruzowitsky’s propulsive post-war thriller
-
Reviews
‘La Civil’: Cannes Review
Teodora Mihai makes an explosive fiction debut with this thriller set in Mexico
-
Reviews
‘That Was Life’: Transilvania Review
A septuagenarian Spanish woman discoveres a new lease on life in David Martin de los Santos’s touching debut
-
Reviews
‘The Restless’: Cannes Review
A seemingly perfect marriage begins to collapse under the weight of mental illness
-
Reviews
‘Vortex’: Cannes Review
Gaspar Noé’s last taboo is old age and dementia and an utterly sobering experience
-
Reviews
‘The Tsugua Diaries’: Cannes Review
Miguel Gomes and Maureen Fazendeiro deliver .the oddest, most playful product of lockdown cinema.
-
Reviews
‘France’: Cannes Review
A surprising swerve from formerly austere auteur Bruno Dumont showcases Lea Seydoux as the title character
-
Reviews
‘Paris, 13th District’: Cannes Review
Jacques Audiard reinvents his own cinema with this fresh story of lovers inter-twined in today’s Paris
-
Reviews
‘Women Do Cry’: Cannes Review
A powerful indictment of the patriarchy in Bulgaria from the directors of ’The Cat In The Wall’ and starring Maria Bakalova of ‘Borat 2’