Latest – Page 6
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Reviews‘Children’: DOK Leipzig Review
Ada Uspiz’s camera dramatically demonstrates how children grow up all too quickly in Palestine
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Reviews‘Children Of The Night’: Busan Review
A chilling documentary takes us inside a Turkish refugee camp in which boys are trained to kill
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Reviews‘200 Metres’: London Review
First-time feature details a Palestinian father’s desperate attempts to get back into Israel to see his sick son
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Reviews‘Ghosts’: Venice Review
Venice Critics Week winner is a timely story set in Istanbul of the very near future
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Reviews‘Notturno’: Venice Review
Gianfranco Rosi’s documentary captures those who live on the tense borderlands of the Middle East
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Reviews‘Laila In Haifa’: Venice Review
Drinks, sex and commentary flow freely over the course of one night in an Israeli bar
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Reviews‘Sun Children’: Venice Review
A Dickensian tale with a Disney feel set in Iran’s bustling metropolis
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Reviews‘Honey Cigar’: Venice Review
Stirring coming-of-age drama parallels a woman’s sexual awakening with Algeria’s political adolescence
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Reviews‘Gaza Mon Amour’: Venice Review
The Nasser brothers turn their lens on a late-life romance in Gaza featuring Hiam Abbass and Salim Daw
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Reviews‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
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Reviews‘The Art Of Living In Danger’: Sheffield Doc/Fest Review
A look inside the struggle against domestic violence in Iran
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Reviews‘The Pageant’: Visions du Réel Review
Behind the scenes of the annual ‘Miss Holocaust Survivor’ competition in Haifa, Israel
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Reviews‘There Is No Evil’: Berlin Review
From Iran, director Mohammad Rasoulof orchestrates a cautionary tale in four chapters
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Reviews‘Yalda, A Night For Forgiveness’: Sundance Review
Iranian filmmaker Massoud Bakhshi focuses on one woman to highlight wider issues within a patriarchal society
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Reviews‘This Is Not A Burial, It’s A Resurrection’: Sundance Review
A striking debut from Lesotho made under Venice’s Biennale College initiative
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Reviews‘Chronology’: Review
Striking second feature from Turkey’s Ali Aydin is mid-way through a successful festival run
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Reviews‘Just 6.5’: Tokyo Review
Iranian police play a never-ending cat-and-mouse game with the country’s drug dealers in this gripping crime thriller