Latest – Page 13
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Reviews
‘Benediction’: Toronto Review
Terence Davies explores the impact of war on poet Siegfried Sassoon in this lyrical biopic
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Reviews
‘The Forgiven’: Toronto Review
John Michael McDonagh directs Ralph Fiennes and Jessica Chastain in his own adaptation of Lawrence Osborne’s Morocco-set novel
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Reviews
‘A Banquet’: Toronto Review
British director Ruth Paxton makes an arresting feature debut with this unsettling family psychodrama
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Reviews
‘Last Night In Soho’: Venice Review
Director Edgar Wright takes a wild ride through London’s seedy past
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Reviews
‘True Things’: Venice Review
Ruth Wilson and Tom Burke star in Harry Wootlif’s audacious follow-up to ‘Only You’
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Reviews
‘Spencer’: Venice Review
Kristen Stewart brings her own magnetism to the role of Princess Diana during a lonely Christmas at Sandringham in Pablo Larrain’s ’fable from a true tragedy’
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Reviews
‘The Electrical Life Of Louis Wain’: Telluride Review
Benedict Cumberbatch and Claire Foy headline Will Sharpe’s period biopic of the eccentric Victorian cat-fancier
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Reviews
‘The Story Of Looking’: Telluride Review
Mark Cousins’ latest video essay is also his most personal
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Reviews
‘Boiling Point’: Karlovy Vary Review
Philip Barantini’s accomplished one-shot drama chronicles a restaurant on one of the year’s busiest nights
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Reviews
‘Martyrs Lane’: Fantasia Review
Strange visions haunt Ruth Platt’s melancholy supernatural story
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Reviews
‘Everybody’s Talking About Jamie’: Outfest Review
The hit West End musical confidently makes the leap to Amazon
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Reviews
‘Bull’: Fantasia Review
Paul Andrew Williams returns to grittier terrain for a visceral tale of revenge
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Reviews
‘She Will’: Locarno Review
Charlotte Colbert’s unusual Gothic feature plays out in the world between art and horror
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Reviews
‘Ali & Ava’: Cannes Review
Clio Barnard returns to Bradford with a love story set in England’s Northern city
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Reviews
‘Mothering Sunday’: Cannes Review
Odessa Young leads a strong British cast in Eva Husson’s adpatation of Graham Swift’s nove
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Reviews
‘Cow’: Cannes Review
Andrea Arnold chews the cud with Luma, a dairy cow, in this intriguing documentary
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Reviews
‘The Souvenir: Part II’: Cannes Review
Joanna Hogg’s sequel to 2019’s ‘The Souvenir’ is both daring and absorbing
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Reviews
‘Absolute Denial’: Annecy Review
A solitary man develops a super-computer in this strikingly ambitious British animation