Latest – Page 21
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Reviews
‘Below’: Melbourne Review
Confrontational debut is a black comedy set in an immigration detention centre
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Reviews
‘Measure For Measure’: Melbourne Review
Shakespeare in Melbourne, with Hugo Weaving as the crime boss of a block of public apartments
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Reviews
‘The Australian Dream’: Melbourne Review
The Melbourne Film Festival opens with a stirring documentary about the Australian Rules footballer Adam Goodes, directed by the UK’s Daniel Gordon
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Reviews
‘Danger Close: The Battle Of Long Tan’: Review
Dramatisation of the 1966 clash between 108 Australian and New Zealand troops and North Vietnamese soldiers
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Reviews
‘Mosaic Portrait’: Karlovy Vary Review
A pregnant Chinese schoolgirl finds herself under intense scrutiny
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Reviews
'Trijya' (Radius): Shanghai Review
An intriguing debut from India’s Akshay Indikar focuses on a migrant’s sense of self ‘Trijya’
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Reviews
‘Samurai Marathon’: Edinburgh Review
The team behind ‘13 Assassins’ unites with Bernard Rose for an epic sword-slasher
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Reviews
'Alice': Edinburgh Review
Directed by an Australian first-timer, this Paris-set SXSW winner impresses on its international debut
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Reviews
'The Furies': Edinburgh Review
Retro slasher movie from Australia should make some commercial splatter
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Reviews
'About Love': Sheffield Review
This absorbing family portrait from a young Bombay director took the New Talent award at Sheffield
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Reviews
'Hearts And Bones': Sydney Review
A photographer and a refugee grapple with the trauma of a shared war
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Reviews
'Bellbird': Sydney Review
A tender, amusing reflection on life and loss in a small New Zealand dairy farm
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Reviews
'The Wonderland': Annecy Review
Keiichi Hara follows up ‘Miss Hokusai’ with a complex coming-of-age adventure story
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Reviews
'Palm Beach': Sydney Review
A group of life-long friends reunite for a weekend of stories and secrets
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Reviews
'Dwelling in the Fuchun Mountains': Cannes Review
Critics Week closes with the first of a planned trilogy from debut director Gu Xiaogang
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Reviews
'Parasite': Cannes Review
A twist-laden black comedy in ‘home invasion’ mode from Bong Joon Ho