Tallinn reviews – Page 3
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Reviews
‘Stars Await Us’: Tallinn Review
Zhang Dalei’s second features bows at the Black Nights Film Festival
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Reviews
‘Fear’: Tallinn Review
Bulgarian immigration comedy takes Best Film in Tallinn’s Competition
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Reviews
‘Ulbolsyn’: Tallinn Review
A genre-tinged, feminist outing from industrious Kazakh director Adilkhan Yerzhanov
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Reviews
‘The Last Ones’: Tallinn Review
A bookend colony in Lapland’s tundra looks set to ignite under the pressure of the stragglers who occupy this vast space
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Reviews
‘Should The Wind Drop’: Thessaloniki Review
In forgotten - and disputed - Nagorno Karabakh a new airport is a beacon for hope
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Reviews
‘Poppy Field’: Tallinn Review
A gay police officer in Romania is trapped in a personal and professional struggle
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Reviews
‘When I’m Done Dying’: Tallinn Review
This potent romance set in Istanbul’s underground rap scene has a loose-limbed swagger
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Reviews
‘The Penultimate’: Tallinn Review
An unusual debut from Denmark which challenges the audience on every level
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Reviews
‘The Sign Painter’: Tallinn Review
Latvia’s wartime drama is a playful crowdpleaser set for North American release
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Reviews
‘Model Olimpia’: Tallinn Review
An unflinching take on a strange partnership between a monther and her troubled son
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Reviews
‘The Translator’: Tallinn Review
An exiled translator risks everything to return to Syria and rescue his brother
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Reviews
‘Truth And Justice’: Review
Estonian production is a suprise entry in the 10-film international Oscar shortlist
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Reviews
‘The Coldest Game’: Tallinn Review
Bill Pullman is the alcoholic chess champion enlisted to help the Americans tackle the Cuban Missile Crisis
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Reviews
‘Willow’: Tallinn Review
Three women in different times and places struggle in their attempts to become mothers
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Reviews
‘Lost Lotus’: Tallinn Review
A grieving Chinese woman attempts to hunt down her mother’s hit-and-run killers
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Reviews
‘Tomorrow We Are Free’: Tallinn Review
An Iranian journalist returns to Tehran with his family during the Islamic Revolution of 1979
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Reviews
‘Sin’: Tallinn Review
Alberto Testoni puts in a skilled performance as Michelangelo in Andrei Konchalovsky’s revisionist biopic