Latest – Page 28
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Reviews
‘About Endlessness’: Venice Review
Swedish maestro Roy Andersson’s unique blend of pared-down mournful comedy continues with this series of 35-odd cinematic fragments
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Reviews
‘Beware Of Children’: Venice Review
The death of a child on the playing field is the starting point for this probing drama from Norway
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Reviews
‘The King’: Venice Review
Timothée Chalamet stars as King Henry V in David Michôd’s revisionist historical epic
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Reviews
‘Martin Eden’: Venice Review
Jack London’s seminal novel is transferred to mid-century Naples by the director Pietro Marcello
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Reviews
‘Back Home’ (‘Revenir’): Venice Review
Niels Schneider, Adèle Exarchopoulos star in the second film from France’s Jessica Palud
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Reviews
‘Adults In The Room’: Venice Review
Parts of Costa-Gavras’s film about the Greek monetary crisis are “so dull, it’s actually rather fascinating”
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Reviews
‘My Days Of Glory’: Venice Review
A 20-something former child actor attempts to find meaning in his adult life
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Reviews
‘An Officer And A Spy’ (‘J’Accuse’): Venice Review
Roman Polanski and Robert Harris have collaborated on a sober film about The Dreyfus Affair; it looks set to become a sturdy international performer
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Reviews
‘Sole’: Venice Review
A Polish girl prepares to sell her unwanted baby to a childless Italian couple
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Reviews
‘5 Is The Perfect Number’: Venice Review
Tony Servillo stars in this Naples-set crime drama ’drunk on pulp pleasures’
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Reviews
‘Verdict’: Venice Review
A Filipino domestic abuse victim find the local justice system offers little protection
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Reviews
‘Only The Animals’: Venice Review
Dominik Moll opens Venice Days with an intricate, ‘Rashomon’ style potboiler set in a French farming community
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Reviews
‘The Truth’: Venice Review
Japanese maestro Hirokazu Kore-Eda opens Venice 2019 with a French curio
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Reviews
‘Pelican Blood’: Venice Review
Nina Hoss anchors this tense drama from Germany’s Katrin Gebbe which opens Venice’s Horizons sidebar
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Reviews
‘Cat In The Wall’: Sarajevo Review
Terrific comedy-drama from a Bulgarian directing duo is set on an East London council estate
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Reviews
‘Open Door’: Sarajevo Review
Sisters united in a car journey across Albania in a rare feature to emerge from that country
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Reviews
‘Fire Will Come’: Review
Oliver Laxe’s prize-winning feature continues is strikingly beautiful and meditative
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Reviews
‘Adoration’: Sarajevo Review
The latest from Fabrice du Welz bleeds horror tropes into a yearning romance
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