Latest – Page 37
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Reviews'Amanda': Venice Review
Vincent Lacoste impresses again in the latest slow-burner from Mikhaël Hers
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Reviews'L'Enkas': Venice Review
A young ex-convict finds his newfound freedom far harder than life in prison
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Reviews'The Little Stranger': Review
Lenny Abrahamson adapts the bestselling novel by Sarah Waters.
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Reviews'What Doesn't Kill Us': Locarno Review
German crowdpleaser by Sandra Nettelbeck premiered at Locarno’s Piazza Grande
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Reviews'The Dig': Galway Review
The Galway Film Fleadh’s best film is a tight, dark western by the Tohill Brothers
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Reviews'Katie': Galway Review
A champion boxer comes into focus in Ross Whitaker’s accomplished doc
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Reviews'All Good': Munich Review
A blistering performance anchors this meticulous and powerful debut
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Reviews'The Extraordinary Voyage Of The Fakir': Review
The move from page to screen was a leap too far for Ken Scott’s globe-trotting English-language adaptation of a best-selling French novel
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Reviews'Loro 2': Review
Given a split release in Italy only, international territories await a single edit.
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Reviews'Searching For Ingmar Bergman': Cannes Review
Margarethe Von Trotta makes a personal ode to the Swedish master
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Reviews'Knife + Heart': Cannes Review
A trashy murder-mystery set in Paris porn circles of the 1970s calls to mind De Palma’s signature flourishes
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Reviews'Lucia's Grace': Cannes Review
There’s some divine intervention afoot in this pleasant Italian comedy which closes Directors’ Fortnight
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Reviews'In My Room': Cannes Review
Ulrich Köhler follows up ‘Sleeping Sickness’ with a survivalist story centred around one man’s struggle to stay alive
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Reviews'Euforia': Cannes Review
Valeria Golino follows up ‘Miele’ with a glossy story of two brothers
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Reviews'The State Against Mandela And The Others': Cannes Review
Documentary shines a light on the courage behind the epic struggle against apartheid
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Reviews'Little Tickles': Cannes Review
A deeply personal film about coming to terms with the past is also dramatically satisfying
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Reviews'The Trouble With You': Cannes Review
A giddy comedy from France’s Pierre Salvadori is the centrepiece of Directors’ Fortnight 50th anniversary celebrations