Latest – Page 16
-
Reviews
‘Ashfall’: Udine Review
A rock-solid Korean blockbuster boasting volcanic action sequences opens the Udine Far East Film Festival
-
Reviews
‘Paradise’: Cannes Market Review
In Tahiti, two cousins represent the past and the future of an island at the crossroads
-
Reviews
‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
-
Reviews
‘Coalesce’: ACID 2020 Review
Modern Cambodia under the lens in a perceptive debut from Jesse Miceli
-
Reviews
‘The Art Of Living In Danger’: Sheffield Doc/Fest Review
A look inside the struggle against domestic violence in Iran
-
Reviews
‘Me And The Cult Leader’: Sheffield Doc/Fest Review
A victim of the Tokyo sarin gas attack meets with one of its unrepentant perpetrators
-
Reviews
‘Remnants Of A Revolution’: Sheffield Doc/Fest Review
A Filipino film-maker uncovers the secrets of a father’s past
-
Reviews
‘The Marriage Project’: Thessaloniki Review
A bold social experiment inside a mental institution has mixed results in this slim documentary from Iran
-
Reviews
‘The Prophet And The Space Aliens’: Thessaloniki Review
Yoav Shamir delivers a thoughtful documentary about a guru who believes in UFOs
-
Reviews
‘The Pageant’: Visions du Réel Review
Behind the scenes of the annual ‘Miss Holocaust Survivor’ competition in Haifa, Israel
-
Reviews
‘Mirror, Mirror, On The Wall’: Visions du Réel Review
Welcome to Dr Han’s strange world of live-streamed cosmetic surgery
-
Reviews
‘Outcry And Whisper’: Visions du Réel Review
Documentary focuses on female voices raised in protest in Hong Kong and China
-
-
Reviews
‘Irradiated’: Berlin Review
Rithy Panh experiments with the documentary form to present a stark exploration of the horrors of modern war
-
Reviews
‘There Is No Evil’: Berlin Review
From Iran, director Mohammad Rasoulof orchestrates a cautionary tale in four chapters
-
Reviews
‘Days’: Berlin Review
Taiwanese director Tsai Ming-Liang delivers a trademark slow-burn drama about two lonely men finding each other
-
Reviews
‘The Woman Who Ran’: Berlin Review
A woman’s encounters with three friends are all interrupted by men in Hong Sangsoo’s teasing drama
-
Reviews
‘High Ground’: Berlin Review
An ex-World War II sniper tracks an Aboriginal warrior through Northern Australia
-
Reviews
‘Veins Of The World’: Berlin Review
A fiction debut form Mongolia and the director of ’The Story Of The Weeping Camel’
-