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Woman Unknown

‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama

'Spider-Man: Brand New Day', 'Toy Story 5', 'The Odyssey'

Highest-grossing summer ever pushes UK-Ireland box office ahead of 2019

The Echo Chamber

‘The Echo Chamber’ review: Andrea Pallaoro turns Bernardo Bertolucci’s final script into precise, somewhat odd study of love and dependency

Mathilde Arcel, May el-Toukhy

May el-Toukhy says #MeToo advances have rolled back amid Venice gender imbalance

Screen Podcast at Venice 2026_Credit Adisa-Shutterstock

Venice day 5: Which Italian films could make a splash? - The Screen Podcast

  • ‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama

  • Highest-grossing summer ever pushes UK-Ireland box office ahead of 2019

  • ‘The Echo Chamber’ review: Andrea Pallaoro turns Bernardo Bertolucci’s final script into precise, somewhat odd study of love and dependency

  • May el-Toukhy says #MeToo advances have rolled back amid Venice gender imbalance

  • Venice day 5: Which Italian films could make a splash? - The Screen Podcast