Top stories

  • ‘The Electric Kiss’ review: Pierre Salvadori’s 1920s Paris-set Cannes opener lacks genuine spark

  • Peter Jackson receives honorary Palme d’Or from Elijah Wood at Cannes opening ceremony

  • Demi Moore, Cannes jury embrace politics: “If we censor ourselves we shut down creativity”

  • European distributors talk Cannes titles and the state of the market: “Audiences either love a film or hate it”

  • Netflix to co-finance all five Dogma 25 films as ‘Mr. Nawashi’ starts filming